Edmonton Things To Do: Evoolution’s Taste the World of Olive Oil and Balsamic Vinegar

Main course for the tasting at Evoolution.

Personally, a good olive oil and balsamic vinegar brings me back to some of the best dinners I’ve had with friends. It seemed like such a fancy thing when I was younger to have a restaurant serve that mixture as a dip for fresh bread because it wasn’t something we ever did at home. It was such a simple thing, yet it was also a treat.

Nowadays, we’ve got a couple of great shops that specialize in these products. Oliv Tasting Room and Evoolution are on a mission to get high quality olive oils and balsamic vinegars into the hands of Edmontonians and Albertans. I’m a fan of both, having frequented each a number of times over the years. However, working downtown, Evoolution on 104 Street and 101 Avenue is the most convenient.

The Evoolution shop on 104 Street in Edmonton.

Often times, I’ve found myself hanging out there during lunch or after work eating cubes of bread doused in a variety of flavours. Bottles range in size and price depending on the the type of oil or vinegar. Nevertheless, there’s always something to please each palate, and they make wonderful gifts, especially for family members or friends who like to cook.

Recently, I was attempting to find an activity for my friend and I to do together. As per usual, I ended up on the Eventbrite app, and that’s where I came across several listings from Evoolution (104 Street & Enjoy Centre locations). Once or twice a month they hold events in the evening. After the store is closed, they prep the space to seat a large table of about ten people — more can be accommodated in St. Albert’s Enjoy Centre — who will be taken through an educational tasting and full 3-course meal that highlights how olive oils and balsamic vinegars can be used at home.

A booklet with lots of info on their products and the menu for the evening.

For $35 plus tax per person, we were taken through the proper way to taste olive oil using the strippaggio method (similar to how one might taste a fine wine). A dark blue tulip glass is cupped in the hands and warmed before taking a sip. With teeth clenched, you then have to suck air into the mouth until the oil hits the back of the throat. Doing so allows for the oil to be stripped and the flavour to be revealed. The difference between basic store bought extra virgin olive oil and the premium ones sold at Evoolution is staggering. Signs of an excellent olive oil come down to three things: smell, taste, and texture. Surprisingly, the colour and clarity doesn’t matter so much. What you are looking for is an earthy/grassy scent, a pepperiness on the tongue (high polyphenols, a.k.a. antioxidants, bring that out), and a smooth finish with no film or residue left in the mouth.

Better quality olive oils shouldn’t even list an expiry date. What needs to be indicated, though, is the crush date of the olives used to make the batch. It should last for 12 to 14 months after the bottle is opened without any issue. Still, it’s ideally consumed within 6 months since the freshness starts to break down as soon as it’s opened and continues to do so every time air comes into contact with the oil. Nonetheless, you’ll know if it has gone bad as olive oil does become rancid. We also learned that the best olive oils tend to have high smoke points because of their fatty acid content, making them fantastic for use at high heats of up to 450 degrees. That’s contrary to the myth that they are not to be used for cooking.

Complimentary mini bottles of olive oil and balsamic vinegar were given to each guest.

Next up on the agenda was an info session on balsamic vinegars. Honestly, it’d never crossed my mind to question what balsamic vinegar was made of. I was flabbergasted to find out that it’s made from grapes. White Trebbiano grapes to be exact. When crushed, the syrup from the grape juice is what is extracted, fermented and aged either in stainless steel or wooden barrels. The flavour, viscousness, and concentration of every balsamic vinegar is determined by the amount of time aged, evaporation of the liquid as it ages, and oxidization of the syrup when exposed to the barrel used. Lighter balsamic vinegars are usually processed in stainless steel or light wood barrels. Inkier ones are made using dark wood. Due to the fermentation of the product, they can easily last 3 years. I suspect, it’s also why balsamic vinegars have an effervescence when sipped on their own.

Don’t store either olive oil or balsamic vinegar in the fridge though. Condensation in the bottle can spoil them. Just keep them away from direct light and heat and they’ll be fine.

When we finished going over the finer points of each and had sampled half the store, that’s when dinner began. There was a platter of crusty bread to be eaten with our choice of oils and vinegars as well as four different tapenades. Evoolution’s famous truffle butter popcorn was served as well. I’m not a popcorn person, but I could eat a ton of that. Their butter olive oil is made with a plant extract, so it’s free of dairy. Yet, it tastes just like the real thing. Uncanny. To drink, we were given glasses of club soda mixed with their gravenstein apple balsamic vinegar. Turns out that balsamic vinegar is the perfect natural product to flavour water with. For anyone who uses drink crystals or those squeeze bottles to make their water taste “better,” you can stop doing that now.

Supper was more than filling. We were first presented with a spring salad with fresh mozzarella, basil pesto, and black currant balsamic vinegar. Our entrée consisted of an autumn wild rice pilaf — hearty winter veggies, dried cranberries, pumpkin seeds, olives, and butternut squash seed oil — likely made in their back room using a Crock-Pot and a hot plate (they don’t have a kitchen, so we were impressed). Dessert was an elaborate pumpkin pie cheesecake decorated with vermont maple balsamic candy.

As our host, Christine, pointed out, the menus are made on the fly. Usually they’re created on the day of the event, and the courses are determined by what kind of fresh ingredients are found at the grocery store. Having run these tasting sessions for quite some time, she was confident that within the last year they had yet to duplicate a menu or a single course. I declared that she may as well save me a spot every month because I’d be willing to spend the money on a meal like this regularly. Since they don’t prepare a menu in advance, it may be difficult for attendees to know if their dietary concerns can be accommodated. However, Christine assured us that once a ticket is bought, they can be contacted and informed of issues or allergies, so they can work within those parameters.

When we were finished eating, we were then able to shop the whole store at 15 per cent off. Considering Evoolution never really offers any sales, it’s certainly a plus to attend a tasting event just to get this bonus, particularly around the holiday season.

If you’re looking for something new to do in Edmonton and you like to eat, I highly encourage you to look into the next events at Evoolution. The cost of admission is well worth it. My friend and I learned so much about these kitchen staples while being “wined” and dined. It’s time that you experienced Evoolution like this, too.

Edmonton Restaurant Review: DOSC Restaurant

DOSC Bar

Sometimes a business comes along and it completely changes the game. After a handful of visits since they opened a month ago, I’d now safely say that DOSC Restaurant is one that falls in that category. Located on 104 Street and 102 Avenue in the downtown core of Edmonton, it resides in a seemingly “cursed” space (four other eateries have shut down in the past few years); however, I’m truly hoping that this ambitious cafe/bar/steakhouse defies the odds.

Previously, upon the launch of DOSC, I had written a preview post about my experience at one of their media dinners. It was a night that I’ll remember for a long time to come, not only because of the offerings and the people, but also for the showmanship. Today, I really want to delve into the menu, focusing on all of the food and drinks I’ve had the pleasure of trying thus far.

After the dinner Kirk and I attended before their official opening, I wasn’t too keen on putting an actual review of the food out there right away. While we got to sample an array of items that they would be serving at the restaurant, I didn’t know what the actual size of the dishes would be like and, of course, during a media event, it’s always going to be their best foot forward. So, it was hard to judge the place properly based off of the one night.

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Plates that we were presented with at the preview event included: Tostada, Pate, Sweetbreads & Tendons, Wagyu Tartare, Marrow Mash, Pickled Asparagus, Liver & Onions, Tongue, Brisket, Miyazaki Chuck Wagyu, Hickory Smoked Chocolate, and Pineapple Cake. Almost every one still resides on the current soft opening menu in some form or another. As they continue to receive feedback they are tweaking the dishes to find the best fit. Eventually, the tongue to tail menu will be expanded to fully encompass the whole animal as available options, at the moment, are limited to slightly more common offals.

Tostada

Personally, I wasn’t a big fan of the Liver & Onions more due to the metallic taste than the texture. I also wouldn’t necessarily go out of my way to order the Sweetbreads & Tendons, which were cooked until very tender, but just not a mouthfeel that I’m too keen on. Everything else was excellent though. I especially liked the Tostada with its layers of chipotle crema, salsa verde, feta, Brussels sprouts, avocado mousse and quail egg. It was light and complex. Hints of Chef de Cuisine Israel Alvarez’s Mexican upbringing shone through and it was a standout. It used to be found on their breakfast menu, but is now listed on their dinner menu and served with beef tongue ($12).

Tongue

Speaking of the tongue, the only way to try this fantastic selection right now is with the Tostada. Their latest menu was recently updated, taking away the choice of ordering the tongue in three, six or nine ounce portions. Still, take a chance on it. Tongue is typically quite tough. Here, at DOSC, they cook it sous vide until it’s incredibly tender, like the best cut of steak.

Wagyu Tartare

I have a tendency to lean towards tartares. The Wagyu version ($18) here is exceptional. The meat melts in your mouth and it pairs well with the potato bread that they make in-house. Just be aware that the portion of meat is only about three ounces, so it’s not a lot. Wagyu is pricey as it is, let alone to be importing it to Edmonton, so it’s understandable that it’s not going to be the usual amount of beef tartare that may be seen at other local establishments.

Miyazaki Chuck Wagyu

If money’s no object, do order the Miyazaki Wagyu ($59 for six ounces or $88 for 9 ounces). I’d probably opt for the rib eye cut with the horseradish, volcanic salt and arugula butter. The meat has a beautiful flavour and a gorgeous texture.

Both of the sweets were fantastic. The Pineapple Cake ($9) is served upside down with a walnut honey ricotta, salted rum caramel and tarragon créme. It’s very decadent and quite sweet. Some think it’s sacrilegious to share dessert, but this one and their tart (to be discussed below) are perfect to be split. Their ice cream and sorbet, on the other hand, are recommended for one. The Hickory Smoked Chocolate Sorbet ($9) is to die for. Last I’d noticed, it’s still being served at the table in a bell jar filled with smoke. It’s kind of theatric and fun to order for that reason alone. The sorbet is made with Mayan 70 per cent dark chocolate, morita flake (chili) and smoked espresso salt. Creamier than expected, it’s got a distinct smokiness to it while retaining a little sweetness and a hint of spice at the end.

DOSC Bar Menu

We found ourselves downtown one weekend shortly after and decided to drop in for a night cap. This time, we sat in their cafe, which is towards the front of the space with windows overlooking 104 Street. It’s comfortable and cozy with such a pretty cafe counter. We started off with some alcoholic beverages. Those who lean towards beer will have a decent local selection (think Blindman Brewing, etc.) from their twelve rotating taps. In fact, one of my favourites that they seem to keep regularly is the WTF Raspberry Sour from Situation Brewing (around $8).

For those who prefer cocktails, they have a stellar team at the bar. The Rose + Leaf ($11) and Transom Sour ($11) are my drinks of choice. Both are great to sip through dinner, although the Rose + Leaf, with it’s underlying flavour of lychee and top note of watermelon, is more refreshing and ideal for those hot summer days. They even have a few mocktails on the menu for anyone who doesn’t or can’t imbibe.

Matcha Latte

In terms of the DOSC cafe, I find the cost of the drinks to be pretty much on par with any other specialty coffee shop in the city. The beans here come from Rogue Wave Coffee. Unfortunately, I don’t drink coffee, so I can’t really talk much about that. My beverage of late is definitely their Matcha Latte ($5). While most other places in Edmonton mix ones that are much sweeter, their baristas use pure matcha with milk. It results in a much stronger flavour. For some, it may be too bitter, but I love it.

Our third visit was with friends over supper. We went to town that night. Kirk ended up ordering the 16 oz. T-Bone Steak ($30). This was pan seared and simply seasoned with salt and extra pepper. The flavour of the meat was allowed to come through rather than masking it with a heavy sauce. On the side, they put a dollop of their freshly grated purple horseradish that has been pickled with cabbage, sherry and corn nectar. It works really well with the beef. To go with the steak, Kirk also went for their Daily Bread ($4). Kirk thought it was delicious, but with just two slices of the bread and a square of cultured butter, it was a tad expensive. Had the slices been thicker, the bread may have been justifiable, but they were very thin pieces. He also chose the Russet Fries ($5), which were an amazing starch. Thick, hand cut potatoes are whole wheat crusted, infusing them with an intense flavour and creating a nice crisp outer shell.

I had enjoyed the tongue so much at the media dinner that I had to have it again as my protein on this evening. I selected the three ounce size for $6, and it actually seemed like a more generous portion than that. It was also prepared as well as I remembered. I combined that dish with their Brussels Sprouts ($8) and Brown Barley Fried Rice ($9). Between the two sides, the Brussels sprouts was, hands down, the better. Don’t get me wrong, I liked the rice with it’s leeks, funghi, crispy ginger egg, and pickled shallot, but it had almost too slick of a texture over the rice and the mushrooms were a little bland. The Brussels sprouts were awesome though! Big, round Brussels were cooked thoroughly. The outer leaves were charred and crisp. Tossed with large, perfectly cooked pancetta and using an egg white foam and cured yolk as a sauce, it’s like no other Brussels sprout dish I’ve ever had.

Citrus Tart

Finishing off our date night, Kirk and I shared the Citrus Tart ($9). Made with whisked egg yolks to create a sabayon custard, this dessert utilizes a handful of citruses: lemon, lime, orange, grapefruit, and yuzu. It holds their essence without becoming overly sour and the sugariness is light, too. On the palate, the pastry shell is more like a butter cookie and the custard is creamy.

My latest visit was with another friend of mine for an early dinner after work this week. We decided to share four items. Since we both have an affinity for Brussels sprouts, that was a repeat dish. Yet, I did make a point of trying some new to me things: Pappardelle ($9) and Skirt Steak ($13 for 6 ounces). We also got a bowl of the Marrow Mash ($5). Regarding the latter, this is just such a rich take on mashed potatoes. The use of marrow makes the Yukon potatoes taste butterier than butter itself. The herb oil is a nice touch, adding a bit of earthiness. Stir it up to get the best flavour profile. The green pappardelle is freshly made and tossed with garlic leek, roasted garlic oil, kampot red peppercorn, and lemon. The oil makes it a little slippery in texture, but the overall taste is great and it’s different from the typical saucy pasta.

Skirt Steak

The star of the evening was definitely the skirt steak. This cut is smoked with juniper and dry rubbed with espresso cocoa grounds from Rogue Wave Coffee. It’s delectable. My friend, who isn’t even a huge fan of steak, said it was her favourite dish of the night. Usually, skirt steak is not the best cut to order. It can often be overcooked and chewy. DOSC handles the meat with precision. Seared so the juices stay in the steak, it’s actually superbly succulent. No word of a lie, it’s probably one of the best things I’ve eaten in a while.

Earl Grey Ice Cream

Added to the dessert menu this week was an Earl Grey Ice Cream ($9). It was infused with orange and rosemary and topped with sponge toffee. I’m usually not one to order ice cream from a restaurant as it’s sort of costly for what you’re getting. But, it was the only dessert I hadn’t tried. I’m also weary of tea-flavoured desserts because it’s often the case that the flavour doesn’t come through enough. Surprisingly, DOSC managed to saturate the ice cream with the earl grey taste.

DOSC seems to have found early success. Patrons steadily come in and out whenever I’ve been there, and, on weekends, it’s clearly a bustling place until closing. From my perspective, DOSC is getting better and better. Each time I go, it’s evolving and improving. The service is impeccable and the team behind it is fantastic. Honestly, my hope is that it’s just too good to fail.

Edmonton Restaurant Preview: DOSC Restaurant

Welcomed to the freight elevator with sparkling wine by Tony Britton.

Intrigue and mystery laid the groundwork for our night at DOSC Restaurant (their original moniker and subsequent change to appease the AGLC further lends itself to the story of how they came to be; ask anyone working there for details suggested by their logo). Instructed to enter from the rear door, a select few of us were led into an old freight elevator and then dropped off in a narrow hallway that would be the scene of our theatrical meal for much of the evening (hosted by operating partner Shangeeta Prasad).

The friendly servers were asked to remain stoic while taking away and dropping off our dishes throughout. But, meeting a number of them once dinner ended, it was obvious they found it difficult to keep straight faces. Several of them broke character and let their personalities shine through (hello to the guy who shimmied his way out at one point!). I don’t actually think DOSC is going to go that route once the business officially opens tomorrow. However, it certainly reminded me of what I might call an experiential restaurant found in the likes of New York City or similar. It’s definitely something one would never forget. Although it’s unlikely DOSC will plan this style of pop-up presentation again, there’s a chance they can be convinced to do it for private events.

It was intimate with a very strong focus on the food. Introductions from the chefs for each dish prepped us for what we were about to ingest. And, let’s just say that the menu isn’t exactly for the faint of heart. The meal took us from the nose to the tail of the animal, meaning we tried everything from tongue to sweetbread to liver. While some of the menu items may not be to everyone’s taste, the kitchen certainly works their magic with a couple of the plates by turning often roughly textured meats (i.e. tongue) into the tenderest, most luxurious bites. Adventurous diners may be greatly rewarded for branching out.

Miyazaki Chuck Wagyu

With Alberta being known for producing high quality beef, it’s interesting to note that Edmonton doesn’t really have any local restaurants that truly specialize in cooking this specific protein. Any that you can think of tend to be chain restaurants. That’s why owner and chef Jake Lee of Seoul Fried Chicken wanted to introduce themselves as a steakhouse despite the many hats DOSC will be wearing. They have an open kitchen with an in-house butchery and a dry aging cooler to cure their own meats. An extensive list of 22 cuts will be available with just two types of beef being imported from outside of Canada (ex. $100 per pound melt-in-your-mouth Wagyu beef).

Along with chef de cuisine Israel Alvarez, their first seasonal menu attempts to bring recognizable dishes that are borderline creative to the table. The twelve courses we tried had mainly Canadian and Mexican influences with a very subtle hint of Asian flavour in the Wagyu Tartare. According to Jake, depending on what’s available during the year and their inspiration (such as special guest chefs), watch for the menus to change every so often. Don’t ever expect to see a regular old burger served here though. With so many places in Edmonton doing that already, they want to do other things better. Led by bar manager Tony Britton, drink pairings are of high importance at DOSC, too. Phenomenal wine like the Rioja Tempranillo and beer like Situation Brewing‘s WTF Raspberry Ginger Sour were excellent additions to our supper.

Ox and Cat

DOSC resides on the corner of 104 Street and 102 Avenue in the historic Metals Building, which used to be home to Ric’s Grill (eventually rebranded to Ric’s on 104), The Burg and, lastly, Stage 104. People say the location is cursed, but maybe the spot just needs the right people behind it. Plus, with the Ice District/Rogers Place now just down the street, the foot traffic and potential clientele is much higher than ever before.

The DOSC team is ambitious. The amount of overhead to run the place is sort of unfathomable. Thinking of this media black out event we attended, there were at least 20 servers, several staff in the kitchen, bartenders, baristas and managers on hand. Every single one of those people gave it their all to create a spectacular show for ten very lucky people.

After much anticipation, with one last course to go (Pineapple Upside-Down Cake for dessert), we were, again, led into the elevator, out the back entrance and around the building for the big reveal. Initially, curtains blocked our view of the restaurant interior and exterior windows were covered, so it was like something out of HGTV. When it appeared before us, we were greeted by a gorgeous, large room broken out into four distinct spaces — cafe, lounge, bar and dining room — to match unique menus and courses offered throughout the long days. They’ll be open as early as 7am for breakfast and before work coffee (supplied by local roastery Rogue Wave) and closing as late as 2am on weekends to accommodate their patrons and the neighbourhood.

Bricks made in the North Saskatchewan River have been left in place.

They’ve also done their best to retain as much of the 100+ year history (constructed in 1914) as possible by showcasing the walls built from bricks made in the North Saskatchewan River and keeping the original wooden pillars. The rest of space has been completely customized and revamped with elegant, hip, and modern touches meant to bring personality to the venue while still feeling comfortable.

So much careful thought went into the execution of DOSC. For the staff, it’s about the journey and process that gets them to the final result, and, from what we can tell, they’re well on their way to making a positive first impression. The whole team elevated our entire experience last night, so much so that we’re planning on being there for their first real dinner service tomorrow evening (Sunday, July 22). Those interested in checking out DOSC for themselves are encouraged to either make a reservation through OpenTable or walk right in starting at 9am.

Edmonton Happenings: MINBID MINBattle 2018 Launch Party & Art Battle

Co-founder of MINBID, Michel Côté, was one of the artists drawn to participate.

From what I know, MINBID (short for Minimum Bid) has existed for at least 5 years in the underground art scene of Edmonton. The collective began as a gathering of local creators; it gave them an outlet to share work with their peers and the public. The showings doubled as auction events, too, providing a way for artists to gauge the value of their pieces based on the highest bid received.

The banner ad for their 2018 MINBattle.

One of the things that MINBID has become known for is their annual MINBattle. Friday, May 11 marked the launch of the 2018 series and my initial visit to one of their functions. Kicking off at Vacancy Hall (103 Avenue and 104 Street), sixteen artists registered, but only eight had the opportunity to compete through a lottery draw. There were two rounds of four contestants. Each person had an hour to complete a 24 inch x 24 inch canvas.

Audience members voted with tickets stubs dropped into each artist’s bucket. Bids for the finished pieces could also be placed on the cards.

A group of three to four judges circled the room as they all painted. Audience members even got to partake in the judging process with ticket stubs to be deposited as a vote towards their favourite in both rounds. Plus, all of the pieces were up for auction with bidding starting at $50 and going up in increments of $10. The selling price would count in the final tally of each artist’s score as well. Whoever prevailed in each round (we didn’t stay for the announcement of the winners) will move on to the final MINBattle later this summer.

Co-founder Darren Bolz DJ’d throughout the evening.

Speaking to Darren Bolz, one of the co-founders of MINBID and the evening’s DJ, we found out that this is the first time they’ve used this particular format. Usually they’ve only had two artists battle head-to-head on any given night. This year, they thought they’d change things up, bringing in multiple artists at a time with the top two at each battle duking it out in a huge showdown later this year.

For the launch event, the ticket price was $25 plus fees in advance through their website or Eventbrite. At the door, the cost was $30. Although notes on the Eventbrite page said the cost covers gallery membership, it’s not like buyers receive a card or anything. Ultimately, the money simply covers entrance and the open bar.

Bartender for the night was Christopher Hughes.

Speaking of the bar, it could have been a little more diverse. There were only four drinks available, which I realize is essential to keeping things easy for the organizers, especially in a space that isn’t equipped for bar service. However, the options were so-so, and there was only one non-alcoholic choice. It was a PC brand watermelon soda that was sweet. I think offering just a simple cup or bottle of water would have been appreciated. Not everyone wants something carbonated and sugary to drink. Water would have been a nice alternative to help cool off in the warm space.

The lighting in the space is dim to create a non-intimidating vibe for the artists, allowing them to work without feeling too exposed.

They also struggled a bit with lighting in the basement of the Mercer Warehouse. In order to keep the vibe, the lighting has to be relatively dim. Nevertheless, it’s equally as important to allow enough brightness for the artists, which means there’s a balancing act that’s required. Being that this is a nighttime event, the place emptied out quite a bit by the second round. Yes, it’s unfortunate that people didn’t stick around to watch it all unfold. But, if I’m being honest, I was happy for the extra breathing room.

The participating artists were allowed to paint whatever they wanted within the allotted time, leaving it open ended. Still, if they haven’t already done this in the past, I think it could be very interesting to see them paint to a specified theme. It’d add another dimension to the competition. Additionally, for those not already in the Edmonton art industry and who didn’t know the competitors personally, it would have been beneficial for the emcee to announce the names of the artists before they started each battle

There was only one person, Peter Gegolick, who blatantly advertised himself and had a sort of “I don’t give a shit” attitude as he painted while wearing sunglasses. He actually had a finished piece of art already hanging on the gallery wall with an asking minimum bid of $700 (his battle piece could have been purchased for less than $100). The rest of them were pretty low key. While their first names were listed on the bidding cards, their last names weren’t always there, so it was otherwise hard to follow-up on some of the artists after the fact.

Another piece from Michel Côté was hanging in the MINBID gallery for sale.

I understand that one of the goals of these parties is to assist artists in determining how their work should be priced. It’s a bit of a catch-22 to do that though. I mean, it’s entirely reliant upon the audience that shows up. If there are people with the income and they happen to like the work they see, there’s a chance that a piece will go for much more. But, based on this particular event, I’d say it was mostly a youthful crowd that didn’t necessarily have the money to burn. Most didn’t seem willing to shell out the extra cash after what they spent on the actual event ticket.

The 2016 MIN Royale breakdown.

Maybe I’m wrong and it was an anomaly, or maybe they simply didn’t like what they saw. Either way, this aspect kept the number of bids to a minimum and kept the overall price of the bids low with most going for under $100. For comparison, I looked at how much battle auction pieces went for back in 2016. Of the 30 creations born out of MINBattle events, a dozen sold for over $150. That included one from my favourite artist of the 2018 launch night, Reece Schulte, that went for a cool $450.

I loved his dynamic Edmonton skyline piece so much that I put a couple of bids on it to the tune of $90 (this was a total steal). I left my name and number on the bidding card and walked away. Since the art is still wet on the evening of the event, they just phone or text the winning bidder to make arrangements for pickup and payment (either cash or credit is accepted) over the following week. Sadly, I didn’t end up hearing from MINBID by the end of the weekend, so I assumed someone else swooped in at the last second to snag it. Then, to my surprise, I received a message on Monday afternoon. It turns out that the person who outbid me couldn’t be reached, so it went to the next highest bidder! I’m super excited to add Reece’s work to my modest art collection.

Aside from the late start (listed as 9:00pm, yet didn’t truly begin until 10:30pm) and the crowdedness of the venue during the first round of the evening, my fiancé and I left with an awesome appreciation of what MINBID and MINBattle had to offer. Sure, I initially felt a little out of place. The majority of the other attendees came across as younger and artsier than me.

Nonetheless, MINBattle certainly made for a different kind of date night where we got to experience something new to us. We had some drinks, danced to music, mingled with the artists, and watched canvases come to life. What I like best is that it’s an excellent way to potentially find and buy art for an affordable price.

The next MINBattle event date is still to be determined. Make sure to sign up for their newsletter through the MINBID website to be kept in the loop. In the meantime, think about attending their Udell X & MINBID Collaboration (buy tickets here). Two parties will take place at the Udell Xhibitions Gallery (103 Avenue and 124 Street) on June 22 and 23. Any art aficionado won’t be disappointed. I know that we’re definitely looking forward to our second outing.

UX MB Art Xhibition + Auction

Edmonton Restaurant Review: Bottega 104

Bottega 104 is all about Italian.

Situated on the 104 Street Promenade, between Jasper and 102 Avenues, sits Bottega 104. The Italian eatery is less than a year old. Nonetheless, it seems to have become a favourite in the downtown neighbourhood. When I arrived after work to meet a friend, patrons were starting to trickle in. By the time the two of us left, the venue was jam packed full of people.

My reservation, booked through the OpenTable app, yielded us a table towards the far back corner of the restaurant. It allowed me a bit of a view of the open kitchen as well as perfect sightlines of the long bar and the rest of the establishment. Honestly though, it’s a tight space.

The bar has a lovely design.

Sure, the details of the design scheme and the lighting added to the ambience, but I didn’t find it to be particularly comfortable. It was really cramped. When I was taken to our seats, I was the first to get there, so I decided to sit on the booth side. I had to squeeze myself between the two tables, sucking in my chest, to fit through. Moreover, I narrowly avoided knocking down the wine glasses of the guests next to us. In a way, it kind of reminded me of the close quarters experienced in restaurants on trips to New York City. However, let’s face it. This is Edmonton. People aren’t used to it being like this, and I can’t imagine others love feeling as if they’re sitting on each others’ laps either.

Room aside, I narrowly missed Bottega’s Prohibition Hour specials on their cocktails. From 2pm to 5pm, $13 two-ounce cocktails are marked down to $7 each, which is a hefty savings. Once I had settled in, I may have been able to quickly select something. Yet, our server was gone as soon she dropped off the menus, and she didn’t bother to come back until my friend showed up fifteen minutes later. Ultimately, we both chose water over any other beverage.

Ready to share dishes, family style.

When we did get to place our order, we opted to share a couple of the items: Spaghetti Carbonara Pasta ($21) and Prosciutto Pear Pizza ($21). As we waited for the kitchen to prepare our food, the server came back with side plates and pasta tongs, so we could more easily divide the dishes family style. The food was decent. Although, personally, I found it to be either too salty (pasta) or too bland (pizza).

Spaghetti Carbonara

The Spaghetti Carbonara was made with a “delicate” cream sauce, smoked pancetta, and egg. It was true that the sauce was creamy; unlike other plates of carbonara I’ve eaten, the egg avoided curdling. There was great potential as seen with the extra crispy pieces of pancetta, too. Bottega also didn’t skimp on the amount of protein. The problem was that it became very repetitive on the palate with only the pork and sauce to turn to. They had essentially become one and the same in terms of flavour. I realize that carbonara is not anything fancy; nevertheless, something is needed to help cut through the dish to awaken the taste buds.

Prosciutto Pear Pizza

As for the pizza, I was expecting more. The dough was topped with prosciutto, mozza, gouda, cherry tomatoes, sliced pear, toasted walnuts, and balsamic glaze. It’s a combination that sounds like it’d be amazing. Each inch of the pizza was covered with one of those ingredients, but there was very little stacking. Therefore, each bite provided just a small glimpse of what it could have been. There wasn’t a whole lot of balance between the saltiness of the cured meat and cheeses, the sweetness of the pear, the nuttiness of the walnuts, or the acidity of the tomatoes and balsamic drizzle. Additionally, the pizza cooled off fast, taking away the gooiness that any of the melted cheese may have had.

Zeppoli

Our night concluded with us splitting the Zeppoli ($9) for dessert. Bottega lists it as Italian street food. Typically, they come in the form of fried dough balls covered in some sort of sauce or a dusting of sugar and spice. They’re kind of like the mini doughnuts available at all of our annual festivals. When they were presented to us, I was surprised at the portions (definitely enough for two to three diners) as well as the shape of the Zeppoli. Instead of puffy balls, they were sticks of dough in the vein of churros, yet chewier. Sprinkles of icing sugar decorated the zeppoli along with zigzags of Nutella ganache. Again, this was underwhelming. Had the menu not mentioned Nutella, I wouldn’t have guessed there was supposed to be any hazelnut taste to this. It came across as a basic chocolate sauce.

In the end, this wasn’t what I was hoping for. The service, once both of us were there, was passable. The food was edible, but nothing to write home about. Mostly, it was too crowded and noisy. I mean, the din from everyone conversing makes it loud enough as it is. So, my recommendation is that they take out a table or two and lower the music a bit. I think visitors would appreciate it more than they know. Ultimately, the menu is their bread and butter though. If I’m to return and spend my hard earned money there, that’s where they need to see some major improvements.