Edmonton Things To Do: Art Gallery of Alberta Adult Drop-In Studio

Tons of Ideas by Vera Gartley

Earlier this summer, I was making plans with a friend of mine. Due to scheduling conflicts, it was somewhat difficult to find a time that worked for both of us to get together. Futhermore, I didn’t want to do our typical thing of just going for dinner or doing a Paint Nite event. So, I started to scour the internet for ideas of what else we could do in Edmonton.

Honestly, I don’t even know how I eventually ended up on the Art Gallery of Alberta (AGA) website, but I did. What I found is that they actually offer a weekly Adult Drop-In Studio every Wednesday night. While that particular day of the week didn’t work for her, I was intrigued and I wanted to check out a few of those sessions for myself. I gathered other friends of mine and I made it to three different classes over the span of September.

The first one I went to, I phoned ahead to reserve spaces for me and my friends because I wasn’t sure what kind of attendance to expect (there is a maximum of 20 spaces). You are able to hold spots the day of the drop-in, but you do have to provide payment info at that time. You can phone it in and pick up the tickets at guest services upon arrival at the gallery, or you can walk-in and pay in person.

Tickets are $18 plus tax per person and that includes all of the materials that you’ll be using. The price point is stellar for a two hour activity, especially when compared to the majority of other creative events running throughout the city.

As it turns out, reservations weren’t really necessary. Only half a dozen people showed up for printmaking the first night. Initially, there didn’t seem to be a whole lot of direction. The website had indicated that we would be doing lino carving with a theme of cityscapes. Yet, it pretty much turned into a freestyle situation in that we weren’t at all limited. Everyone was allowed to design whatever they wanted, and guidance only came into play once we started doing more of the printmaking itself.

In fact, I loved printmaking so much that I made my way to Delta Art & Drafting Supply that weekend in order to pick up all of the materials needed to do the same thing at home (I have a couple of special projects planned). Thankfully, there was a sale going on.

The following week, my colleague and I ventured out into the cold to make it to the AGA for their Floral Studies drop-in. We arrived a little bit late, but, once we paid, we managed to catch the group of about ten people as they were heading up to the galleries. The instructor for the night wanted us to take inspiration from an exhibit called Vanitas by artist Samantha Walrod. She turned the RBC Work Room (a studio-like residence space) from an empty gallery into several pieces of finished art that explored the idea of life and loss using floral imagery and the passing of time. Her work utilizes layering through multiple mediums like collage, ink and paint.

I was kind of hoping that we would be doing something similar to what we’d seen. Instead, the focus was more on learning to work with chalk pastels and acrylic paints together. Not quite what I expected. Still, I managed to learn some new ways of applying colour and paint to paper, as well as creating my own colours using pigments from the chalk pastels and mixing it with the acrylics.

Finished Japanese stab bounded books.

The final session that I made it to was about book binding. I failed to take photos during this one, but I do have a picture of the finished products. We were taught how to put our own travel journals together using just paper, a couple of binder clips, a push pin, a needle and some thread. We used a simple Japanese stab process, which is easily searchable on Google or YouTube. After we each completed two books, we took them up to the James Wilson Morris gallery where we practiced our sketching techniques (i.e. shading, blind contour, gesture, etc.).

All of these turned out to be fun in their own unique ways. I’ve got my eye on a silk screening class in early-November, but in the meantime, they have a variety of other drop-ins like plaster casting or slow stitch through October. Additionally, if you show up to the gallery early, you can take advantage of the All Access Evenings. Those happen every Tuesday and Wednesday from 5pm to 8pm and it grants all patrons entrance to the exhibits for free.

The Art Gallery of Alberta is definitely making an effort to increase the accessibility and affordability of art and art-related activities. Don’t miss out. Sure, not every workshop is going to call to you, but in the scope of a year, there’s bound to be something that will get your creative juices flowing. Keep an eye on the AGA calendar and carve out some time at this local gem of an institution.

Edmonton Things To Do: 4Cats Arts Studio

Me with my finished piece.

Recently, my friend and I wanted to get together to do something crafty. But, we didn’t know what. A number of events we’d found — everything from cross stitching to terrarium building — were just a bit too pricey. So, I did some digging. Eventually, I came across 4Cats Arts Studios.

The company, founded in Victoria, British Columbia, has been around since 2005. Within six years, they had franchised out their name and business structure to locations across Canada, the United States, and Australia. In the Edmonton area, there are now three studios. One is in St. Albert, the second is in the north of the city, and the third sits in the southeastern neighbourhood of Summerside (this is the one we went to).

They hold a variety of workshops for kids and adults where patrons can paint canvases, decorate mugs or bowls, create clay planters, or mould figurines. Prices are $25 per participant, but they offer two spots for $35 when registering together. Currently, it looks like a variety of sessions are available through to the end of June. Then, in the summer months of July to August, 4Cats will strictly be running summer camps.

The two of us ended up enrolling in a painting workshop called ‘I Dream In Gold.’ It took place on a Friday evening at 6:30pm. We bused it there from Century Park, which was quite convenient as transport stops right on the block of the storefront. Arriving a little early, we used the time to snap photos of the studio space. It’s bright and colourful, likely drawing the attention of the kids who come in for classes. There were rolled and stretched canvases tucked everywhere, too, probably awaiting pick up. 4Cats even has a number of branded products for sale, including tempera paints (regular and glitter), gold foil sheets, note books, figurine kits, etc.

Check out this fun room!

As the start time drew closer, we were taken to the back room. The three open walls (artfully splattered in paint) had been stapled with about a dozen square-shaped black canvas sheets. There were no chairs. This was standing only. If one isn’t too keen on putting their personal belongings out of sight in the adjoining area, I suggest wearing pants with pockets to hold phones and cards/cash (keep it light) as there isn’t really space to keep things nearby. Tucking items underneath the benches may be possible, but I didn’t try that. I decided to turn my jacket inside out and wrap it around my purse, letting those items sit on the bench below my canvas. It kind of worked for me. Still, there’s a chance of getting stuff dirty that way, so make a judgement call.

Other participants working on their pieces. They all turned out so differently!

Similar to Paint Nite, there is a host/instructor who will take everyone through the process of completing the piece step-by-step. She worked through faster and, when needed, she asked the participants to pause as she showed the next stage. This allowed us to go at our own pace while still seeing what was ahead. They actually had a number of  paint jars opened with a bunch of different colours available for use. Also, rather than brushes at 4Cats, for this workshop, we mostly used sponges to apply the colours. As a result, our hands were a total mess afterwards. To clean up, they had a washing station that consisted of a bucket of soapy water and a communal hand towel. I opted to use the sink in their washroom instead.

Once we were satisfied with our paint application, we grabbed some brushes, glue, and gold foil to decorate our canvases. I only used one metallic sheet, but several people opted to add more. The foil itself is super delicate, tending to break apart very easily as it’s manipulated. If there’s anything sticky on one’s hands, the gold will also stay there rather than adhering to the canvas. I do love how it brings dimension to the art though, and I’d be happy to try this medium again.

I think the whole workshop took a total of an hour and a half from beginning to end. Since the paints dry quickly, the art can be taken home on the same night. However, the canvas won’t be mounted or framed. Having it stretched on a wooden frame costs an additional $25 when the service is purchased the day of or $35 should one choose to return later. Leaving it behind for stretching means another trip back when it’s ready (my friend was told it could be about two to three weeks). I, on the other hand, chose to carry my canvas as is. I’ll figure out what to do with it on my own.

Considering the cost per person, 4Cats Arts Studio is quite affordable for a creative night out with friends or with the kiddos, especially if extra services aren’t required of 4Cats after the fact. It’s not really going to break the bank compared to many other crafty options in Edmonton, and it’ll get the artistic juices flowing all the same.

Edmonton Things To Do: Plant Nite

Plants arranged in my sloped bowl.

Almost three years ago, I attended my very first Paint Nite with one of my best friends. What’s Paint Nite? Well, this company out of the States recruits artists/entrepreneurs in numerous cities to lead group painting sessions at local bars and restaurants. The premise is that attendees can grab a drink, order a bit of food, and then have a fun, uninhibited evening where creativity flows. After a couple of hours, everyone usually walks away, art in hand, feeling accomplished at their skills. I love(d) these events so much. I’ve probably been to at least a dozen and a half Paint Nites, eventually buying myself an easel, paints, canvases, and brushes to work at home, too.

Then, early last year, ads for something called Plant Nite started popping up on my social media feeds. Succulents and terrariums are all the rage right now, and it seemed that the creators of Paint Nite were cashing in on the trend with new workshops. At the time, there weren’t any sessions happening in Edmonton, but there are now!

Groupon started selling vouchers for Plant Nite either late 2017 or at the beginning of 2018. I was eager to buy a coupon, so I could go. Yet, when I first checked out the available listings on the website, most of the events had already sold out and additional dates were uploaded at a snail’s pace. Eventually, more workshops were opened up and I was able to register using a Groupon deal (regularly $29; watch out for promo codes to receive extra discounts of up to 25 per cent off).

It’s important to note that, when signing up with a voucher, the base cost of the session ($45) is discounted from the total price. What remains to be paid at the end of the transaction is the materials fee and tax. It typically works out to about $17 on top of what was paid for the coupon. Also, watch out for ones marked as “Special” or “Fundraiser” as vouchers cannot be redeemed towards those.

The Almanac’s back room was the perfect venue for Plant Nite.

Like Paint Nite, Plant Nite events take place all over the city and surrounding areas, so choose a location that works best. A friend and I attended one at The Almanac on Whyte Avenue. It was an ideal spot as their whole back room was set up just for us. Tables fit about four to six people with supplies laid out for easy access. While the hosts could have zipped through the process, getting us in and out within an hour from start to finish, they took it step by step.

Drainage rock and soil are the base of the planter.

We found ourselves on a two hour journey, receiving an education on how to properly layer our planters: use a base that allows for drainage, top it with about an inch to an inch and a half of soil for water and root retention, carefully break off the old soil from the plants — sourced from an Alberta grower — to nest them into the fresh soil, and then decorate.

A trays of succulents were given to each table as they worked on their terrariums.

Each person was given three succulents for their terrarium: String of Pearls, Baby Jade, and Echeveria. I love these dessert plants as they’re hearty. But, I have to say that, after about a month taking care of my bowl at home, I’m slightly concerned about my String of Pearls. As cute as the little vines are, one strand is dying. I think the low baring roots are having a hard time grasping the soil without me covering up much of the plant completely in the dirt and sand.

The last part, decorating, was enjoyable as we got to visit a separate station where we were able to paint river rocks. They also provided a variety of coloured moss, rocks, sand, and figurines, so we could craft our bowls into something uniquely ours. Every single planter looked different. I opted to top mine with bright orange sand, a modernly painted rock, bunches of moss, and a little owl.

My friend’s adorable creation.

Before we left, we were given instructions on how to keep our terrarium healthy. Night one requires two squirts of water around the base of each plant. The next evening, each plant should get a tablespoon of water at the base. A week later, take it up a notch with an ounce of water per plant (I actually found it was a little much). Then, walk away for three to four weeks, checking periodically to ensure that the soil shows a soft soak (only the top half should be wet).

Cardboard boxes that had housed our empty glass bowls were handed out at the end of the night, providing a practical and stable way of carrying our creations home. Had anyone been questioning the materials fee before, I don’t think they would have again after seeing the amount of work that goes into Plant Nite. There are tons of supplies that the host and their assistant need to cart around, unpack, and carry out. It’s a bit ridiculous at how much they have to consider, but they really did an awesome job.

My finished terrarium with all that orange sand.

If I could change anything, I would have thought twice about covering the whole top of my bowl with sand. Although it gives it a pretty sheen, it tends to shift more easily. With a sloped glass bowl, water also runs right down over the sand before it sinks below causing water to pool on one side rather than soaking in evenly. To help avoid that issue, I usually hold the bowl in one hand so that the opening is flat and I do my best to water around the base of the plants, allowing the liquid to soak before I place it back on the table.

Time will tell whether or not I will be able to sustain this piece of living art. I’ll definitely do my best to keep it perky. In the meantime, my next Plant Nite workshop is scheduled for mid-June at Fargo’s.

There are actually a number of great events running through June. Surprisingly, tickets aren’t disappearing as quickly anymore, so it’s easier to partake now. I suggest grabbing a friend, family member, or a whole group. Along with beverages, snacks, trivia, prizes, and music, it’s an excellent way to bond, get a little dirty, and to flex one’s green thumbs (or lack of).

Edmonton Things to Do: Clay & Cupcakes

One wall of available ceramics at Clay & Cupcakes.

For the past few years, my obsession became Paint Nite events. I went on numerous outings with friends and I amassed more pieces of art than I know what to do with. I also outfitted myself with canvases, paint, brushes and easels for creative nights at home.

While I still love to do a quick session here and there (it’s such a relaxing activity), the eagerness to go every few weeks has abated. Tucked away between those times have been various other outings: dinners, festivals, escape games and pottery painting.

My finished ramen bowl, which was painted at Crankpots.

I don’t do the latter often. In fact, prior to a February evening at Crankpots Ceramic Studio on Whyte Avenue, I hadn’t been since I was a child. The hours we spent painting our ceramics was a lot of fun. Yet, the experience at that venue wasn’t the best. The space was overcrowded, customers hoarded paint colours, instructions from staff were poor, and we were almost charged twice for our items. Despite my ramen bowl looking gorgeous, I do think that the glazing was subpar because it chipped off (even though my boyfriend and I had been careful to hand wash everything) in a few spots after only several uses. Plus, Crankpots doesn’t phone or email to let patrons know if their pieces are ready to be picked up. I guessed and showed up the following weekend with fingers crossed that our stuff would be available.

Therefore, when my friend suggested we check out BYOB Ladies Night Out (held every Thursday night; a waiver must be signed if consuming alcohol on the premises) at Clay & Cupcakes, I was slightly apprehensive. However, I figured that there was no harm in checking out a new place. It couldn’t be worse than Crankpots. I was right.

The night we decided to go, the two of us rode the LRT and bus from downtown to the Summerside location on Parsons Road. It was easily accessible by transit.

The door prizes for BYOB Ladies Night Out.

We had booked spots in advance through their website. Therefore, when we walked in, tables had already been reserved with each of our names. The $10 payment for the event included a free cupcake ($3.75 otherwise) as well as the chance to win some door prizes. Unlike Crankpots, they do not charge paint, studio or firing fees. The use of all supplies and the space, as well as glazing, is built into the price of the ceramic piece(s) chosen, which means dropping in on any other night shouldn’t even require an additional reservation cost like it does for Ladies Night.

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Should one visit Clay & Cupcakes, I’d suggest sitting to the left side of the door when walking in and closer to the windows for the best lighting. Once we’d settled our stuff down at our table (no cocktails or beer, just bubble teas), we got up to peruse the selection of pieces on the shelves. I noticed that many of them were repeats as I looked around, but several caught my eye. It’s certainly wasn’t difficult to find something to decorate. The only thing one might be weary of is the dollar amount. I’ve learned that these ceramics tend to be a bit expensive. I lucked out on this occasion as I had an ADmazing Savings coupon for 15 percent off. With the discount, I ended up selecting a doughnut jewelry box for under $30, which quite honestly was perfect for me in terms of price and style. The staff member who was working that shift rinsed my ceramic in water to get me started.

All prepped with paint and brushes!

I then went about deciding on paints, which were all laid out by hue on a shelf, essentially in rainbow order. Palettes were stacked beneath them. I grabbed a couple trays and started to fill them with the colours I planned to use. The bottles of paint are to be placed back onto the shelf for others to refill as needed. Brushes — they could use more with finer tips for detailing — and sponges were also available from that area as well. Bowls of water for rinsing brushes had already been set out for each group. Overall, it was a very organized setup and there was actually ample room for guests to work since tables are comfortably set for four people each.

Painting completed! The slip on the right is to be filled out, so they can keep track of your piece.

As is typically the case, it’s recommended to layer the paints two to three times to get an even coat. My friend and I sat there for about two and a half hours making sure we did just that on both of our ceramics. Clay & Cupcakes has a good variety of paint colours, including ones that are speckled. Just check with the staff to make sure that there’s enough in stock to cover everything you plan to do with your piece; we were warned in advance of one or two bottles nearing empty, which they did not have replacements for.

My raspberry chocolate cupcake.

When all was said and done, we filled out a small slip of paper with our email address, phone number and the description of what we had made. We brought that up to the counter with our painted ceramic, and the employee rang our bills through. After I wiped up my hands, I finally ate my raspberry chocolate cupcake. I’m not sure where they get them from, but mine was delicious. While the raspberry icing was sweet, it wasn’t overly sugary, and the cake itself was dense, moist and tasted of dark chocolate, so there was a great balance.

About six days later (shorter than the 7 to 14 days mentioned on their website), I received a phone call to let me know that my box was ready. Unfortunately, I wasn’t able to make it until the weekend, and I should note here that Clay & Cupcakes is surprisingly closed on Saturdays.

My fired and glazed doughnut jewelry box.

I eventually made it there on my Monday off of work. When I showed up, all I had to do was give them my name. The staff member went to the back and I watched as she looked through the shelves at rows of paper bags. It seems that they have all of the fired pieces wrapped up and sorted in alphabetical order by moniker to keep them organized and make them easier to find.

After a few minutes, she brought a package over to me and unraveled the tissue paper to show me the contents. It was my doughnut box and it turned out beautifully! The glazing was applied evenly and thickly, so I’m expecting it to hold up well. I could not be happier with it.

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Before I left the shop, I had to take another peek around. They really weren’t kidding when they told us that new stock arrives regularly. Dozens of new ceramic designs lined the shelves on both sides of the store, and I wanted to buy half of them. I even saw on their social media pages and their website that they sometimes offer glass fusion and silk screening workshops. Both would be extra reasons for me to revisit. Not only does my boyfriend want to go back with me, but my co-workers even thought it’d be a wonderful idea for a future night out, so I suppose Clay & Cupcakes is now my new thing. Crafters and artists, make it yours, too.

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