Edmonton Happenings: Grownups Read Things They Wrote as Kids

The stage at The Arden Theatre in St. Albert.

About two weeks ago, I dragged my fiancé to the latest Grownups Read Things They Wrote as Kids (GRTTWaK) event in St. Albert. It was the second one I’d attended. The first was two years before at The Mercury Room in Edmonton. I was, and still am, just a listener though. I’m not sure I’m brave enough to get so personal with a room full of strangers.

My ticket into the event as an attendee.

For those who don’t know what I’m talking about, the name of the event pretty much speaks for itself. However, to expand, this is essentially a ticketed touring open mic show run by Dan Misener and his wife Jenna. They’ve been doing this since 2007 after a Christmas trip the year before led them on a journey through Jenna’s old diaries and inspired them to gather friends to do the same. It’s now become a podcast hit with recordings made live during dates that are frequently scheduled across the country.

Grownup

Locals in each city they visit sign up to go on stage for about 5 minutes per person to read something from their past. It could be anything from a short story to a poem, or a letter to a class assignment, or something from one’s journal. Those who enroll have to check in with Dan and Jenna before the big day, so they get a sneak peek of what’s to come. Nevertheless, watching Dan react to each person’s share, I could tell he was just as surprised and delighted as the audience was whenever those big “oh my god” moments happened.

Admittedly though, GRTTWaK isn’t my first foray into this world of teenage and childhood artifacts. In fact, I became obsessed with the film Mortified Nation when I saw it on Netflix a few years back (they now have a Netflix series called The Mortified Guide). The premise was pretty much the same. Yet, the founder of Mortified, David Nadelberg, was based out of the United States and launched his similar endeavour in 2002. I loved it so much that I wanted to be the one to bring it north of the border.

Little did I know that Dan Misener already beat me to the punch. It was my friend who introduced me to GRTTWaK, which really doubled my fun when it came to hearing these stories of adolescent horrors, gut wrenching heartbreak, true happiness, etc. that almost everyone can relate to whether or not they realized it when they were younger.

I guess that’s the irony of it. Things always seemed like such a huge deal as kids. We blew things out of proportion and we assumed we were the only ones to be feeling the way we did. More than likely though, our neighbour or our friend was experiencing it, too. It shows us how caught up in ourselves we can become, but I also think that we sometimes have a depth that goes beyond our years. Many of the things people have shared are so insightful and introspective. Others are lighthearted and hilarious.

What I do think is important to remember is that, whatever it is we have in our history, whether it’s good or bad, we’ve come through it. We can look back and learn from our pasts and, hopefully, we can have a chuckle at it as well.

I definitely recommend that if you’re located in Canada, register for the GRTTWaK newsletter. You won’t get a ton of emails. You’ll just be looped in on upcoming events that you can attend. Also, be sure to check out the podcast. It’s available through their website, Spotify, Apple, or Google. While each episode of the Mortified podcast delves deep into the share of a single individual (even doing a follow-up with the reader who provides a bit of extra discussion about their story), GRTTWaK episodes are usually about 25 to 35 minutes long and cover multiple brave souls in one sitting. It can lead to a roller coaster of emotions, but it’s worth the ride.

Check out this GRTTWaK episode, posted on August 27, 2017 where my friend Michelle decided to read an original story she penned about a horse family:

https://art19.com/shows/grownups-read-things-they-wrote-as-kids/episodes/883b32c2-7483-4bb7-8048-7c7c87fd0f9b/embed?theme=light-custom

If you’re interested in hearing an episode from Mortified, listen to this one about Amy, a first generation kid, growing up in America:

https://play.prx.org/e?uf=http:%2F%2Ffeeds.getmortified.com%2FMortifiedPod&gs=_blank&sp=all

Edmonton Restaurant Review: Ampersand 27 (2018 Update)

The bar and dining room of Ampersand 27.

Located on 106 Street and Whyte Avenue, Ampersand 27 is right in the heart of Edmonton. Seeking out potential venues for our upcoming wedding, my fiancé and I popped in for a venue meeting with Restaurant Manager Laura Rudd and Executive Chef Fan Zhang. It’d actually been a little while since my last visit (read my previous review here), but my recollection of the place was spot on.

Those twinkling lights on the ceiling make for an excellent backdrop.

The space is just as beautiful as I remembered with twinkling lights on the ceiling, a statement fireplace against the back wall, modern teals and metallics mixed with natural woods and stone, and a funky amoeba-shaped bar. What I didn’t realize was its direct attachment to the Varscona Hotel right next door, which we consider to be a big plus as we’re going to have plenty of guests travelling from out of town. With accommodations nearby, room for a dinner, reception, dance, and hopefully a ceremony, this seems like an incredibly versatile spot with plenty of possibilities.

Their charcuterie menu is quite extensive with all meats made in-house.

Neither of us really had a solid idea of what we want for our celebration. However, during our discussion with Laura and Chef Fan, both of them had some excellent suggestions and seemed eager to bring our vision to life. They gave us a lot to think about, and, when we were done our tour and conversation, they actually invited us to stay for a drink and some charcuterie.

Look at this amazing cheese and charcuterie board!

In all honesty, they were super generous. When they offered to make us a plate, we expected that they’d provide just a small sampling of food to whet our appetites. Afterwards, if we were still hungry, we were more than willing to stick around and make a night of it on our own. But, wow! We received a humongous board chockablock full of house cured meats (my faves were the Bresoala, Truffled Mortadella, and Kielbasa), homemade pickles, preserves, and beer mustard (the best!), in-house baked sourdough bread, and a variety of cheeses (creamy Port Salut and Goat Gouda won the night). All in, I guessed the total value was around $100, including our beverages. They outright spoiled us!

Although we technically didn’t need anything else to eat, we opted to treat ourselves to an order of their 3 Pork Buns ($15) with an Extra Bun ($5) to make it even, as well as a side of the Brussels Sprouts ($5).

Brussels Sprouts in Garlic Butter

The latter was cooked until the greens were tender, but still had bite. The outer leaves were also charred and crispy, just the way I like it. The sprouts may have been a tad greasy, yet I suppose that’s a given considering they’re prepared in garlic butter.

As for the Pork Buns, they were mentioned by a couple of the staff, so we thought it made sense to try them. I’m glad we did because they absolutely did not disappoint. The thick cut pork belly was seared until crisp on the outside and the fats had rendered. Sriracha mayo, hoisin, thinly sliced pickled cucumbers along with baby leaves and chopped green onion finished them off. Pillowy soft steam buns held everything together.

Warm Brownie for dessert!

Before we left, we had to try a dessert. Our choice of the evening was the Warm Brownie ($11; it may not currently be available). It was sort of deconstructed and served with caramel sauce, sponge toffee bits, roasted peanuts, fresh whipped cream, and a mint leaf for garnish. This was absolutely decadent and sweet; it’s the perfect dish for sharing as the portion size is more than decent.

I can’t lie. Ampersand 27 completely won us over. Laura and Chef Fan showed such amazing hospitality. Additionally, their fantastic server Janell cannot go unmentioned. I previously knew her from another restaurant that she worked at simultaneously as she held a position here, and she’s wonderful. Janell has a way of putting the customer at ease and making them feel like a friend.

While nothing is set in stone at this time, Ampersand 27 is at the top of our list. Not only are the share plates such a delight, but the people who run the place can’t be beat. Even if it doesn’t end up being the venue for our nuptials next year, it’s still going to be one of our favourite Whyte Avenue businesses and restaurants for a long time to come.

Edmonton Happenings: Streetcar Shows Edmonton

Singer Ken Stead performs for us atop the High Level Bridge.

Streetcar Shows Edmonton has been chugging along since 2013. Founded by Tad Hargrave and Zizi Lievers with Peter Seal hosting and photographing events, it’s probably one of the city’s true gems. These are intimate concert experiences taking place on electric streetcars run by the Edmonton Radial Railway Society. I’ve been registered to their mailing list — currently closed on their site, so check their Twitter page or join their Facebook group for updates — for two or three years now, but I always found it difficult to get my hands on tickets. By the time I’d read the newsletter and linked over to Eventbrite, the 32 spots would already be sold out.

The streetcar being prepped for our trip across the High Level Bridge.

This year, I happened to sign into my webmail account at just the right moment and I snagged two tickets for the inaugural show of the 2018 season. I was ecstatic to finally be going to a Streetcar concert. Taking place last Thursday, May 17, we arrived at the train platform located behind the ATB Financial Arts Barn in Old Strathcona about 15 minutes prior to embarking. Peter checked our names off of his list and we waited until we were told to climb on. NOTE: There are no washrooms on board. If needed, make sure to use the one in the barn beforehand.

Ernie, one of the drivers of the streetcar, gave us a history lesson.

The restored streetcar had two drivers for the night, but Ernie was our guide. He gave us a little bit of a history lesson as the vehicle made it’s way down the tracks towards the middle of the High Level Bridge. Moving along, Edmonton’s downtown skyline eventually game into view. Once we’d come to a full stop, Peter introduced our performer of the evening, Ken Stead. While he sang (and joked), the river and traffic flowed quietly beneath us as we basked in the slowly setting sun.

 

Ken Stead, born and raised in Edmonton, and now residing in Calgary, has a soulful voice. Despite living in Canada, his Irish-Scottish background seems to come out, in the form of a slight lilt, when he speaks. He flipped between his own original songs and covers that ranged from Foy Vance to Bill Withers, fully encompassing the persona of a down-to-earth folk-rock artist.

 

Lasting about 45 minutes, the first half of the show went by quickly. The streetcar then trundled northward towards the other side of the High Level Bridge. We were supposed to take a break at the stop directly across the street from the Legislature Building, but the driver overshot it, and we ended up going all the way to the Grandin Station terminal. There, we were able to get off and stretch our legs while the musical equipment was shifted to the other end of the streetcar. The backrests of all the seats were flipped to face the opposite direction, allowing passengers to be seated again in the direction of travel. It also gave all of the riders an opportunity to be closer to the show as those who previously sat at the front were now at the rear of the train.

Out on the bridge once more, we were treated to another 45 minute set. Being above the water, it started to get chilly as the darkness fell, but the close quarters and the music helped to warm me to my soul. As we returned south, we came to a surprise standstill in a heavily graffitied tunnel for one final (sing-along) song. It sounds like this is something they do at every show, but I won’t give every single detail away. All I can say is that it makes for a special moment.

Inside the tunnel at the end of the night.

Two hours after our departure, we found ourselves back where we started our musical journey. It’s definitely a night that neither my fiancé or I will ever forget. It was so much fun, and I’m already itching to go to second Streetcar Show as soon as possible. Haven’t been yet? I urge everyone to follow their pages. You may luck out and catch a post about tickets in the nick of time.

Edmonton Happenings: MINBID MINBattle 2018 Launch Party & Art Battle

Co-founder of MINBID, Michel Côté, was one of the artists drawn to participate.

From what I know, MINBID (short for Minimum Bid) has existed for at least 5 years in the underground art scene of Edmonton. The collective began as a gathering of local creators; it gave them an outlet to share work with their peers and the public. The showings doubled as auction events, too, providing a way for artists to gauge the value of their pieces based on the highest bid received.

The banner ad for their 2018 MINBattle.

One of the things that MINBID has become known for is their annual MINBattle. Friday, May 11 marked the launch of the 2018 series and my initial visit to one of their functions. Kicking off at Vacancy Hall (103 Avenue and 104 Street), sixteen artists registered, but only eight had the opportunity to compete through a lottery draw. There were two rounds of four contestants. Each person had an hour to complete a 24 inch x 24 inch canvas.

Audience members voted with tickets stubs dropped into each artist’s bucket. Bids for the finished pieces could also be placed on the cards.

A group of three to four judges circled the room as they all painted. Audience members even got to partake in the judging process with ticket stubs to be deposited as a vote towards their favourite in both rounds. Plus, all of the pieces were up for auction with bidding starting at $50 and going up in increments of $10. The selling price would count in the final tally of each artist’s score as well. Whoever prevailed in each round (we didn’t stay for the announcement of the winners) will move on to the final MINBattle later this summer.

Co-founder Darren Bolz DJ’d throughout the evening.

Speaking to Darren Bolz, one of the co-founders of MINBID and the evening’s DJ, we found out that this is the first time they’ve used this particular format. Usually they’ve only had two artists battle head-to-head on any given night. This year, they thought they’d change things up, bringing in multiple artists at a time with the top two at each battle duking it out in a huge showdown later this year.

For the launch event, the ticket price was $25 plus fees in advance through their website or Eventbrite. At the door, the cost was $30. Although notes on the Eventbrite page said the cost covers gallery membership, it’s not like buyers receive a card or anything. Ultimately, the money simply covers entrance and the open bar.

Bartender for the night was Christopher Hughes.

Speaking of the bar, it could have been a little more diverse. There were only four drinks available, which I realize is essential to keeping things easy for the organizers, especially in a space that isn’t equipped for bar service. However, the options were so-so, and there was only one non-alcoholic choice. It was a PC brand watermelon soda that was sweet. I think offering just a simple cup or bottle of water would have been appreciated. Not everyone wants something carbonated and sugary to drink. Water would have been a nice alternative to help cool off in the warm space.

The lighting in the space is dim to create a non-intimidating vibe for the artists, allowing them to work without feeling too exposed.

They also struggled a bit with lighting in the basement of the Mercer Warehouse. In order to keep the vibe, the lighting has to be relatively dim. Nevertheless, it’s equally as important to allow enough brightness for the artists, which means there’s a balancing act that’s required. Being that this is a nighttime event, the place emptied out quite a bit by the second round. Yes, it’s unfortunate that people didn’t stick around to watch it all unfold. But, if I’m being honest, I was happy for the extra breathing room.

The participating artists were allowed to paint whatever they wanted within the allotted time, leaving it open ended. Still, if they haven’t already done this in the past, I think it could be very interesting to see them paint to a specified theme. It’d add another dimension to the competition. Additionally, for those not already in the Edmonton art industry and who didn’t know the competitors personally, it would have been beneficial for the emcee to announce the names of the artists before they started each battle

There was only one person, Peter Gegolick, who blatantly advertised himself and had a sort of “I don’t give a shit” attitude as he painted while wearing sunglasses. He actually had a finished piece of art already hanging on the gallery wall with an asking minimum bid of $700 (his battle piece could have been purchased for less than $100). The rest of them were pretty low key. While their first names were listed on the bidding cards, their last names weren’t always there, so it was otherwise hard to follow-up on some of the artists after the fact.

Another piece from Michel Côté was hanging in the MINBID gallery for sale.

I understand that one of the goals of these parties is to assist artists in determining how their work should be priced. It’s a bit of a catch-22 to do that though. I mean, it’s entirely reliant upon the audience that shows up. If there are people with the income and they happen to like the work they see, there’s a chance that a piece will go for much more. But, based on this particular event, I’d say it was mostly a youthful crowd that didn’t necessarily have the money to burn. Most didn’t seem willing to shell out the extra cash after what they spent on the actual event ticket.

The 2016 MIN Royale breakdown.

Maybe I’m wrong and it was an anomaly, or maybe they simply didn’t like what they saw. Either way, this aspect kept the number of bids to a minimum and kept the overall price of the bids low with most going for under $100. For comparison, I looked at how much battle auction pieces went for back in 2016. Of the 30 creations born out of MINBattle events, a dozen sold for over $150. That included one from my favourite artist of the 2018 launch night, Reece Schulte, that went for a cool $450.

I loved his dynamic Edmonton skyline piece so much that I put a couple of bids on it to the tune of $90 (this was a total steal). I left my name and number on the bidding card and walked away. Since the art is still wet on the evening of the event, they just phone or text the winning bidder to make arrangements for pickup and payment (either cash or credit is accepted) over the following week. Sadly, I didn’t end up hearing from MINBID by the end of the weekend, so I assumed someone else swooped in at the last second to snag it. Then, to my surprise, I received a message on Monday afternoon. It turns out that the person who outbid me couldn’t be reached, so it went to the next highest bidder! I’m super excited to add Reece’s work to my modest art collection.

Aside from the late start (listed as 9:00pm, yet didn’t truly begin until 10:30pm) and the crowdedness of the venue during the first round of the evening, my fiancé and I left with an awesome appreciation of what MINBID and MINBattle had to offer. Sure, I initially felt a little out of place. The majority of the other attendees came across as younger and artsier than me.

Nonetheless, MINBattle certainly made for a different kind of date night where we got to experience something new to us. We had some drinks, danced to music, mingled with the artists, and watched canvases come to life. What I like best is that it’s an excellent way to potentially find and buy art for an affordable price.

The next MINBattle event date is still to be determined. Make sure to sign up for their newsletter through the MINBID website to be kept in the loop. In the meantime, think about attending their Udell X & MINBID Collaboration (buy tickets here). Two parties will take place at the Udell Xhibitions Gallery (103 Avenue and 124 Street) on June 22 and 23. Any art aficionado won’t be disappointed. I know that we’re definitely looking forward to our second outing.

UX MB Art Xhibition + Auction

Edmonton Things To Do: Plant Nite

Plants arranged in my sloped bowl.

Almost three years ago, I attended my very first Paint Nite with one of my best friends. What’s Paint Nite? Well, this company out of the States recruits artists/entrepreneurs in numerous cities to lead group painting sessions at local bars and restaurants. The premise is that attendees can grab a drink, order a bit of food, and then have a fun, uninhibited evening where creativity flows. After a couple of hours, everyone usually walks away, art in hand, feeling accomplished at their skills. I love(d) these events so much. I’ve probably been to at least a dozen and a half Paint Nites, eventually buying myself an easel, paints, canvases, and brushes to work at home, too.

Then, early last year, ads for something called Plant Nite started popping up on my social media feeds. Succulents and terrariums are all the rage right now, and it seemed that the creators of Paint Nite were cashing in on the trend with new workshops. At the time, there weren’t any sessions happening in Edmonton, but there are now!

Groupon started selling vouchers for Plant Nite either late 2017 or at the beginning of 2018. I was eager to buy a coupon, so I could go. Yet, when I first checked out the available listings on the website, most of the events had already sold out and additional dates were uploaded at a snail’s pace. Eventually, more workshops were opened up and I was able to register using a Groupon deal (regularly $29; watch out for promo codes to receive extra discounts of up to 25 per cent off).

It’s important to note that, when signing up with a voucher, the base cost of the session ($45) is discounted from the total price. What remains to be paid at the end of the transaction is the materials fee and tax. It typically works out to about $17 on top of what was paid for the coupon. Also, watch out for ones marked as “Special” or “Fundraiser” as vouchers cannot be redeemed towards those.

The Almanac’s back room was the perfect venue for Plant Nite.

Like Paint Nite, Plant Nite events take place all over the city and surrounding areas, so choose a location that works best. A friend and I attended one at The Almanac on Whyte Avenue. It was an ideal spot as their whole back room was set up just for us. Tables fit about four to six people with supplies laid out for easy access. While the hosts could have zipped through the process, getting us in and out within an hour from start to finish, they took it step by step.

Drainage rock and soil are the base of the planter.

We found ourselves on a two hour journey, receiving an education on how to properly layer our planters: use a base that allows for drainage, top it with about an inch to an inch and a half of soil for water and root retention, carefully break off the old soil from the plants — sourced from an Alberta grower — to nest them into the fresh soil, and then decorate.

A trays of succulents were given to each table as they worked on their terrariums.

Each person was given three succulents for their terrarium: String of Pearls, Baby Jade, and Echeveria. I love these dessert plants as they’re hearty. But, I have to say that, after about a month taking care of my bowl at home, I’m slightly concerned about my String of Pearls. As cute as the little vines are, one strand is dying. I think the low baring roots are having a hard time grasping the soil without me covering up much of the plant completely in the dirt and sand.

The last part, decorating, was enjoyable as we got to visit a separate station where we were able to paint river rocks. They also provided a variety of coloured moss, rocks, sand, and figurines, so we could craft our bowls into something uniquely ours. Every single planter looked different. I opted to top mine with bright orange sand, a modernly painted rock, bunches of moss, and a little owl.

My friend’s adorable creation.

Before we left, we were given instructions on how to keep our terrarium healthy. Night one requires two squirts of water around the base of each plant. The next evening, each plant should get a tablespoon of water at the base. A week later, take it up a notch with an ounce of water per plant (I actually found it was a little much). Then, walk away for three to four weeks, checking periodically to ensure that the soil shows a soft soak (only the top half should be wet).

Cardboard boxes that had housed our empty glass bowls were handed out at the end of the night, providing a practical and stable way of carrying our creations home. Had anyone been questioning the materials fee before, I don’t think they would have again after seeing the amount of work that goes into Plant Nite. There are tons of supplies that the host and their assistant need to cart around, unpack, and carry out. It’s a bit ridiculous at how much they have to consider, but they really did an awesome job.

My finished terrarium with all that orange sand.

If I could change anything, I would have thought twice about covering the whole top of my bowl with sand. Although it gives it a pretty sheen, it tends to shift more easily. With a sloped glass bowl, water also runs right down over the sand before it sinks below causing water to pool on one side rather than soaking in evenly. To help avoid that issue, I usually hold the bowl in one hand so that the opening is flat and I do my best to water around the base of the plants, allowing the liquid to soak before I place it back on the table.

Time will tell whether or not I will be able to sustain this piece of living art. I’ll definitely do my best to keep it perky. In the meantime, my next Plant Nite workshop is scheduled for mid-June at Fargo’s.

There are actually a number of great events running through June. Surprisingly, tickets aren’t disappearing as quickly anymore, so it’s easier to partake now. I suggest grabbing a friend, family member, or a whole group. Along with beverages, snacks, trivia, prizes, and music, it’s an excellent way to bond, get a little dirty, and to flex one’s green thumbs (or lack of).