Edmonton Things To Do: Design A Sign by Paint Nite

The products of our Design A Sign night.

A few years ago, Paint Nite infiltrated Edmonton’s night life. Taking over bars across the city almost every day, it was a great way to dip one’s toes into the creative realm while hanging out with a friend or two. Combine that with drinks or food, and it was a pretty perfect evening, if I do say so myself.

I was obsessed with Paint Nite, wanting to sign up for one after another. In fact, I enjoyed the practice so much that I ended up purchasing my own portable easel, canvases, brushes, and acrylics so that I could work on art outside of those occasions, too.

Even owning all of the materials needed to do the same thing in the comfort of my home, I still attend them every so often. Simply put, it’s a fun time. As the Paint Nite brand has expanded, so have their event offerings.

I have previously tried Plant Nite (terrarium building) twice. While I always leave hopeful that my miniature gardens will survive, sadly, I’ve come to the realization that I’m probably not meant to be a plant mom. I just do not have a green thumb at this point in my life and I can’t continue to spend the money on something that will ultimately die.

Alas, the makers of Paint Nite introduced Design A Sign locally sometime last fall. It’s not exactly game changing or anything. There are already a few other businesses that run similar types of parties, but they tend to charge between $70 to $100 per person. Paint Nite is $65 plus tax each, including the $20 material charge. They also regularly offer discounts through their website, so it’s easy to participate for less than that. If you can’t find a discount directly from them, purchase a Paint Nite Groupon. Although they state that they’re for Paint or Plant Nite, I’ve tested it and the voucher is applicable towards the total cost of Design A Sign when redeeming.

Kirk and I went to a Design A Sign night with another friend in December. It took place at Sixty 6 Bar N’ Grill inside Londonderry Mall. It seems like all of their upcoming events are happening at the same location (hopefully they’ll expand to other area around Edmonton as this is quite out of the way for us).

Waiting to get started with our stencils and wood.

We arrived early to get some food before things officially launched. The host saw us and asked if we were there for Design A Sign. When we said yes, she allowed us to pick out our pieces of wood and to save spots at one of the prepared tables. I guess for this particular event, the place where they had purchased the wood had made a mistake with sawing the pieces as some were a tad shorter than they should have been, but we got to choose first, so it wasn’t an issue for us. The cuts we selected were technically stained, too, so they already had a nice tint to them.

Once we settled in for Design A Sign, we each had to join our two slabs of wood together using flat metal braces, screws, and an electric screwdriver on the backside. We also received tiny screws and a little hanger to attach. When that was done, we flipped our now larger boards over to work on the front.

We were instructed to select a colour of paint from the many options available. I filled a small 1.5″ diameter cup with a few millimeters of acrylic and then I topped off the cup with water. Stirred together, it created a wash that I applied with cloths to the wood. The makeshift stain worked quite well, especially when using darker colours. I chose a silver paint that was much more subtle, leaving a nice shimmery sheen visible when the light hits the wood just right.

When the base dried, I then took my stencil (selected in advance when purchasing my ticket online; there are dozens of different signs to choose from) and peeled the paper backing from them. It left an adhesive that allowed the stencil to stick to the wood. Any card I could find was then used to push out the air bubbles. TIP: Upon pulling the paper backing from the stencil, try to keep the full stencil together. Don’t allow the cutouts to come up with it. By ensuring that it’s in one piece, it’ll make things much easier later.

 

With the stencil now attached to the wood, I could then peel off the cutouts to reveal the design. Do a thorough once over to make sure that all of the parts that should be taken away are gone. Since I had chosen a saying, it took me a while to get mine ready. The text was the most difficult part to work with because I had to make sure the center of letters like an ‘a’ or an ‘o’ didn’t go missing. Finally, with the necessary areas of wood completely exposed, I began to paint.

The paints were awesome as they dried quite quickly, blended well, and were great for layering. We also had a number of different paint applicators at our disposal (the white makeup sponges were the best). I used an ombre technique, so the colours of the font faded from one shade to another. I went for touches of metallic throughout as well.

When I felt satisfied with my work, I waited a bit longer for the paint to truly dry (our host also had a fan set up for people to use, if they were impatient about the drying process). Then, I went for it. I lifted a corner of the adhered stencil and peeled. TIP: Be careful when you do this though. I didn’t realize I was pulling it off going with the grain of the wood, and the stencil ended up lifting up slivers of wood with it, meaning there are spots of my sign with lines and no stain. It’s not super noticeable, but I know those flaws are there. As soon as I figured that out, I switched to peeling from an opposite corner and I was much more successful. No more wood came off.

From start to finish the whole activity took about three hours. The three of us had an excellent time and I was itching to register for another Design A Sign event right away. It’s a chance for anyone to express their inner artist without the pressure. I find these nights to be really relaxing and just enough out of the ordinary to make it feel like something special.

Edmonton Things To Do & Event Review: Christmas Glow

Lit up displays are found throughout the Christmas Light Gardens

If you follow any other popular Edmonton bloggers on social media, it’s likely that you’ve already heard of this. But, Christmas Glow is new this year, and it’s touted as the largest indoor festival of its kind around the city. I was fed a paid post on Instagram back in at the end of September. Since they were offering a discount (approximately 35 per cent off) as an early bird deal, I decided to grab a couple of tickets for me and Kirk to attend on my birthday. At $35.88 for both of us, I thought it might be worth the visit.

Santa’s Reindeers

Flash forward two months later, and it was finally here. We drove all the way to the Enjoy Centre in St. Albert on a Thursday night, hoping we’d make it for our timed entry (we chose the 6pm to 7pm slot). When we turned on to Riel Drive, everything slowed to a crawl. The venue does have a decent amount of parking, but cars were also lined up and down each side of the street. Thankfully, we managed to find something along the road. Thus, we walked a couple of blocks to get to the building. Although, once in the vicinity of the parking lot, we did notice a handful of spots, so patience may reward you.

Upon entering the building, we turned to our right towards the Moonflower Room. That’s where Hole’s typically holds a lot of large events. Plus, in the summertime, it’s where they run their garden market. All in, there is 60,000 square feet of space available, and Christmas Glow used every bit of it, including the greenhouse that is usually blocked off from the public whenever I’ve been there.

This is in the Christmas Light Gardens. Look at the reflection in the glass ceiling!

As we approached the door, I noticed that there was absolutely no one waiting to get inside. Three or four staff were standing about just looking for something to do. One of them eagerly waved us over, and, without even looking at the date or time on our ticket, she scanned them and told us to have fun. The minute we stepped through the threshold, I was overwhelmed. The place was insanely packed with people. They had fit in a few food stands to the left of us, so there were multiple lines snaking around. In the very middle of the main area was a grouping of tables where patrons could enjoy live entertainment on stage. Every single seat was occupied. To the right was a gift shop that seemed to belong to the Enjoy Centre. All the way at the very back of the room was the Glow-camotive, a small train that circles around it’s allotted zone.

We attempted to zoom past all of that without tripping over anyone, and entered the Christmas Light Gardens. Cordoned into different areas, there, you’ll find a licensed bar, interactive hanging lights (this was quite magical, especially with the reflection in the glass ceiling), Santa, glowing swings, mistletoe, light up hopscotch, a horse-drawn carriage, Disney-themed princesses, a musical light tunnel, and numerous other displays. Totaling over a million LED lights, it’s quite impressive. I certainly appreciated the work that went into it. Kirk and I got some pretty great photo ops in there. However, it was also over crowded. They say that they’ve sold tickets using time slots to help control that issue, but once people are in, they can stay as long as they want, and it seemed to me it was getting busier and busier as the night progressed.

Many of the children were super excited (I understand; I was a kid once, too), and that’s okay. Yet, I was practically mowed over by a few who weren’t watching where they were going, so needless to say this wasn’t exactly my cup of tea. With everything mentioned above, as well as a Magic Castle Playground and an area to write letters to Santa, Christmas Glow is definitely geared heavily towards families and kids. That’s not to say that it’s an absolute no go for childless adults (to the organizers, please consider adding adult nights in the future!). It’s just probably best for those with a lot more patience than I possess. I was only able to handle this for about an hour and then I had to go. I simply want to be honest about my personal feelings towards the whole thing. I’m glad that I went and had the opportunity to do so. Unfortunately, it didn’t turn out to be my favourite event.

We rarely have photos together.

It wasn’t a total loss though, I did find something in the pop-up Christmas Market that was anchored by The Makers Keep. Kirk bought me the cutest print, titled “High Flyer,” of a narwhal flying with the help of a bunch of balloons from art and stationary company, Paper Canoe. That was a lovely birthday present.

Me with my new print from Paper Canoe!

If my thoughts on Christmas Glow haven’t deterred you from going, you can still buy tickets through their website. It’s running until January 19. They are closed every Sunday, Christmas Eve, Christmas Day, and New Year’s Eve. The rest of the time, they’re open from 4pm to 10pm Monday to Friday, and they start an hour earlier at 3pm on Saturdays. From December 10 to 12, they continue to offer discounted tickets at 25 per cent off available with promo code EDMONTON25. Dates that remain after will be regularly priced ($22.99 per adult; $16.99 for seniors, and children 4-12; free under 3 years of age; $69.99 for a family with 2 adults and up to 3 kids/seniors). You’ll also save a couple of bucks by ordering online versus purchasing at the gate. Happy holidays!

Edmonton Things To Do: Art Gallery of Alberta Adult Drop-In Studio

Tons of Ideas by Vera Gartley

Earlier this summer, I was making plans with a friend of mine. Due to scheduling conflicts, it was somewhat difficult to find a time that worked for both of us to get together. Futhermore, I didn’t want to do our typical thing of just going for dinner or doing a Paint Nite event. So, I started to scour the internet for ideas of what else we could do in Edmonton.

Honestly, I don’t even know how I eventually ended up on the Art Gallery of Alberta (AGA) website, but I did. What I found is that they actually offer a weekly Adult Drop-In Studio every Wednesday night. While that particular day of the week didn’t work for her, I was intrigued and I wanted to check out a few of those sessions for myself. I gathered other friends of mine and I made it to three different classes over the span of September.

The first one I went to, I phoned ahead to reserve spaces for me and my friends because I wasn’t sure what kind of attendance to expect (there is a maximum of 20 spaces). You are able to hold spots the day of the drop-in, but you do have to provide payment info at that time. You can phone it in and pick up the tickets at guest services upon arrival at the gallery, or you can walk-in and pay in person.

Tickets are $18 plus tax per person and that includes all of the materials that you’ll be using. The price point is stellar for a two hour activity, especially when compared to the majority of other creative events running throughout the city.

As it turns out, reservations weren’t really necessary. Only half a dozen people showed up for printmaking the first night. Initially, there didn’t seem to be a whole lot of direction. The website had indicated that we would be doing lino carving with a theme of cityscapes. Yet, it pretty much turned into a freestyle situation in that we weren’t at all limited. Everyone was allowed to design whatever they wanted, and guidance only came into play once we started doing more of the printmaking itself.

In fact, I loved printmaking so much that I made my way to Delta Art & Drafting Supply that weekend in order to pick up all of the materials needed to do the same thing at home (I have a couple of special projects planned). Thankfully, there was a sale going on.

The following week, my colleague and I ventured out into the cold to make it to the AGA for their Floral Studies drop-in. We arrived a little bit late, but, once we paid, we managed to catch the group of about ten people as they were heading up to the galleries. The instructor for the night wanted us to take inspiration from an exhibit called Vanitas by artist Samantha Walrod. She turned the RBC Work Room (a studio-like residence space) from an empty gallery into several pieces of finished art that explored the idea of life and loss using floral imagery and the passing of time. Her work utilizes layering through multiple mediums like collage, ink and paint.

I was kind of hoping that we would be doing something similar to what we’d seen. Instead, the focus was more on learning to work with chalk pastels and acrylic paints together. Not quite what I expected. Still, I managed to learn some new ways of applying colour and paint to paper, as well as creating my own colours using pigments from the chalk pastels and mixing it with the acrylics.

Finished Japanese stab bounded books.

The final session that I made it to was about book binding. I failed to take photos during this one, but I do have a picture of the finished products. We were taught how to put our own travel journals together using just paper, a couple of binder clips, a push pin, a needle and some thread. We used a simple Japanese stab process, which is easily searchable on Google or YouTube. After we each completed two books, we took them up to the James Wilson Morris gallery where we practiced our sketching techniques (i.e. shading, blind contour, gesture, etc.).

All of these turned out to be fun in their own unique ways. I’ve got my eye on a silk screening class in early-November, but in the meantime, they have a variety of other drop-ins like plaster casting or slow stitch through October. Additionally, if you show up to the gallery early, you can take advantage of the All Access Evenings. Those happen every Tuesday and Wednesday from 5pm to 8pm and it grants all patrons entrance to the exhibits for free.

The Art Gallery of Alberta is definitely making an effort to increase the accessibility and affordability of art and art-related activities. Don’t miss out. Sure, not every workshop is going to call to you, but in the scope of a year, there’s bound to be something that will get your creative juices flowing. Keep an eye on the AGA calendar and carve out some time at this local gem of an institution.

Edmonton Event Preview: Vignettes Design Series 2018 & Nuit Blanche

Salvador Dali is hidden in one of the Vignettes rooms.

Last Friday, I had the opportunity to attend the 2018 Vignettes Design Series VIP Gala. It was held inside Edmonton City Centre in the old ATB Branch on the ground floor (next to the 101 Street West Entrance). When we arrived, we found a huge line already snaking across the mall. It seemed that we were in for a less than exclusive event.

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When we finally made it into the Vignettes space, we were each welcomed with a tiny disposable cocktail glass filled with a couple of sips of sangria. After that, all other food (aside from what was available in the Sanctuary room) and drinks required ticket purchases at an additional cost. Needless to say, for a $40 price tag per guest, I wasn’t too impressed with how this event was executed. It became much too packed way too quickly, making it extremely difficult to maneuver around (architecturally, the overall footprint is small).

Mostly, my hope of getting to mix and mingle in-person with the artists that had worked on the individual rooms was dashed. They were much too busy with the hoards of other guests that had also paid to get into this party. While I do understand that the money collected from ticket sales does go back into the creation of future Vignettes events, I would rather that the organizers made it a little more low key. Spend less money on getting a DJ (it’s so hard to talk or hear) and expensive catering and allow people who want a more in-depth experience to get just that.

Still, I don’t want to take away from the creativity of the work or the artists themselves. They did a phenomenal job transforming mundane offices, closets and walls into over a dozen fantastical or modern spaces. My favourites included a hidden bar, a rainforest (designed by a 4th grader and built by her father), a living space that utilized hydroponics (FRESCO Culinary provided snacks!), and The Grand Palastrio where time is questioned.

Thankfully, the Vignettes gallery will be open to the public every Thursday to Saturday for a month starting on Friday, September 28 and running until Saturday, October 27. While it won’t have the same crazy atmosphere of the VIP Gala (if that’s more your thing), tickets are only $15 per person and they will have timed entrances to help mitigate overcrowding. I expect that this setup will give visitors a chance to really engage with what’s in front of them without feeling rushed to move along. If you can fit this into your schedule before it’s gone, I do recommend taking the time to see this.

The Grand Palastrio

The launch of the public gallery for Vignettes also coincides with Nuit Blanche Edmonton 2018. The latter is a free late-night contemporary art party that takes place from 7pm on Saturday, September 29 to 7am on Sunday, September 30. Nuit Blanche is in its second full scale iteration (technically the third year in the city though), and this particular event happens for just the one evening throughout the downtown area. To find out what’s in store for this year’s programming, click here. Vignettes has been incorporated into Nuit Blanche and, based on the ticketing site, it appears as though they will not be charging for entry into that area during Nuit Blanche hours. However, you may want to check with Vignettes in advance just to be sure.

Nuit Blanche is an experience like no other with a lot of volunteers working behind the scenes to get the exhibits up and running (I was one in 2015). Although the weather forecast is looking chilly on Saturday night, venture out! Bundle up in a warm coat with a hat and gloves, and maybe bring a thermos with your favourite hot beverage. Participating works come from artists across the globe, and everyone who attends is bound to discover something that they fall in love with.

Edmonton Business Review: Escape City

Friends and escape rooms = fun!

I’ve been hooked on escape rooms ever since they were initially introduced to Edmonton back around 2014. I lapped them up and I would go on gaming sprees, usually dragging along a newbie or two. When we left, they were addicted as well. For those who don’t yet know, an escape room is an immersive experience whereby a group is “locked” in a themed room and they have to work together to solve riddles, clues and puzzles in order to breakout. They typically range between 45 to 60 minutes in length and cost about $25 per person to play.

About a year after I delved into that world, more businesses in this vein finally started to pop up, including one of my all time faves, Escape City. Located on 59 Avenue and 104 Street (Calgary Trail), it’s tucked away in the corner of an old strip mall. Walking through the doors, there has always been someone sitting behind the counter to greet patrons. Otherwise, it’s a very minimalist space with white walls, a couple of long benches, and cabinets for lockers. A large bulletin board next to the till showcases the teams who have broken out of their rooms in record time (Note: the times listed are remaining minutes in the game, not total minutes played). On the opposite side of the room is an accent wall with “Escape City” scrawled in red, which is great for photo ops.

It’s ideal to arrive 15 minutes in advance of your allotted time to ensure everyone has a chance to pay and sign the waivers (if you’ve played here before, they do keep them on file, so you don’t have to sign it again). As with any other escape room place, you are not to bring in any of your belongings. Phones, especially, should be locked away as it’s all too easy to cheat or make the game easier with them on hand. Plus, it’s important that photos aren’t shared of the room and its puzzles because the whole point of playing is to be challenged. Where’s the fun in knowing in advance what’s going to happen?

When the team is ready to go, a staff member will lead the way. They’ll present the house rules: no lifting carpets, no pulling on things that are nailed down, no climbing, etc. Then, a video introduction is played before the countdown starts and the game begins.

As an early subscriber to Escape City’s newsletter, I was invited to beta test for them. The very first room I got to experience was Keller’s Magic Emporium. At the time, I didn’t realize it was rated as their easiest room. Admittedly, I found it to be too quick to work through as we got out with probably 20 minutes to spare on an available 45 minutes (sometimes I don’t care about breaking a record; I just want to be entertained for as long as possible while still breaking out). What I did like was that they found a way to personalize the game a bit. Everything was quite linear, and the design was superb. They utilized some locks in the room, but there were a lot of other styles of puzzles, too. This one is best for beginners.

A taste of The Cabin. Photo courtesy of Escape City.

My second go at one of their rooms was with The Cabin. This was a well-though-out game and our group was literally a minute away from solving the whole thing. Alas, we failed, but it was very close. While it is considered to be one of the more difficult challenges at Escape City, I believe our ultimate downfall with this particular room was the size of the space and the number of players. Most of the time I struggle to get more than four or five people to come out. In this case, I recall having seven or eight in all. With limbs everywhere, visuals were blocked, hindering our ability to fully grasp everything we were supposed to see. My recommendation with the majority of places I’ve been is to have no more than six people.

Room number three at Escape City was The Inheritance. I’d only just started dating Kirk at the time. He was so enamoured with The Cabin that, on a whim as we were passing by one night, he decided we should zip into the front doors an hour before closing to ask if we could play an impromptu game. The staff was happy to oblige. I feel like we used a lot of hints (you can have up to two, if you want your time to count towards their rankings; otherwise, you can have as many as needed). But, what do you expect when you only have two brains trying to decipher stuff like this at 10 o’clock in the evening? We managed though. There were a couple of puzzles that we solved without doing it the way the room was planned (it happens on occasion). We also wouldn’t have gotten out within the actual 45 minutes. Thankfully, the employees working that night were nice enough to give us extra time. It’s been designated with a three out of five star difficulty rating and I think that’s a fair assessment.

Adventure four was The Great Discovery. It’s no longer running, but this one had a lab storyline and made sure to encourage the use of multiple senses in order to solve the puzzles. Our team worked well together as each person brought something to the table, and we felt really accomplished when we escaped this room.

The Hunt for Arms Magee (previously known as Quarterback Sneak) was the fifth room played at Escape City. It’s also classified as middle of the road in terms of the overall challenge. I have to say though, this was most likely my least favourite out of the handful of games we’d played here at this point. I didn’t think the quality of the room itself or the production value was as high as the others. Mainly in the first half (the second portion had a fun element), the premise felt silly and oversimplified in comparison. This room was a joint effort between Escape City and Explore Edmonton. It was originally meant to tie into the Grey Cup and pitted the idea of the Edmonton Eskimos against the Saskatchewan Roughriders. I thought they just tried way too hard to tie in Edmonton elements. They’re best left to making rooms where the imaginations of the designers aren’t hindered by the tourism board’s vision.

We excelled at Neurological! Also, this is apparently my lucky shirt.

Approximately ten months later, I finally found an excuse to go back. This time, we were celebrating Escape City’s third birthday (August 2018). It’s crazy to think that they’ve graced us with their presence for this long and even weirder to realize I hadn’t played any escape rooms in over half a year. We tried our hand at Neurological, one of their hardest. I’ve been told by many people who tackled it before me to go with a large group (eight to ten). In the end, I managed to wrangle together a total of five people. Needless to say, I was a bit concerned that we didn’t have enough brain power. Turns out, that worry was unnecessary. We demolished this room! Unlike the others, you start with 60 minutes on the timer, and we completed it with 11 minutes left to go. This one splits the team up at the beginning and the goal is to come back together to alight all the senses. It required clear communication and a lot of teamwork to succeed. We were told at the end that only 14 per cent of of the people who play this one break out, so we felt like superstars.

For those that want to hang out a little longer, you can either get there early or stay for a bit at the end and commiserate over a drink because, surprisingly, Escape City does sell cans of beer and a few other non-alcoholic beverages. Basically, it’s a great option for parties of any kind. While I’m not likely to throw a shindig here myself, they sure do know how to reel me back in. Seeing as how I had pretty much tackled all of their rooms, I wasn’t expecting to be return again any time soon. But, lo and behold, for their anniversary, they’ve just launched a new one called Frank’s Revenge about an uncle looking to even the score. If I have my way, curse be damned. Our winning streak has to live on! I’ll be back with friends in tow!