Edmonton Happenings: Streetcar Shows Edmonton

Singer Ken Stead performs for us atop the High Level Bridge.

Streetcar Shows Edmonton has been chugging along since 2013. Founded by Tad Hargrave and Zizi Lievers with Peter Seal hosting and photographing events, it’s probably one of the city’s true gems. These are intimate concert experiences taking place on electric streetcars run by the Edmonton Radial Railway Society. I’ve been registered to their mailing list — currently closed on their site, so check their Twitter page or join their Facebook group for updates — for two or three years now, but I always found it difficult to get my hands on tickets. By the time I’d read the newsletter and linked over to Eventbrite, the 32 spots would already be sold out.

The streetcar being prepped for our trip across the High Level Bridge.

This year, I happened to sign into my webmail account at just the right moment and I snagged two tickets for the inaugural show of the 2018 season. I was ecstatic to finally be going to a Streetcar concert. Taking place last Thursday, May 17, we arrived at the train platform located behind the ATB Financial Arts Barn in Old Strathcona about 15 minutes prior to embarking. Peter checked our names off of his list and we waited until we were told to climb on. NOTE: There are no washrooms on board. If needed, make sure to use the one in the barn beforehand.

Ernie, one of the drivers of the streetcar, gave us a history lesson.

The restored streetcar had two drivers for the night, but Ernie was our guide. He gave us a little bit of a history lesson as the vehicle made it’s way down the tracks towards the middle of the High Level Bridge. Moving along, Edmonton’s downtown skyline eventually game into view. Once we’d come to a full stop, Peter introduced our performer of the evening, Ken Stead. While he sang (and joked), the river and traffic flowed quietly beneath us as we basked in the slowly setting sun.

 

Ken Stead, born and raised in Edmonton, and now residing in Calgary, has a soulful voice. Despite living in Canada, his Irish-Scottish background seems to come out, in the form of a slight lilt, when he speaks. He flipped between his own original songs and covers that ranged from Foy Vance to Bill Withers, fully encompassing the persona of a down-to-earth folk-rock artist.

 

Lasting about 45 minutes, the first half of the show went by quickly. The streetcar then trundled northward towards the other side of the High Level Bridge. We were supposed to take a break at the stop directly across the street from the Legislature Building, but the driver overshot it, and we ended up going all the way to the Grandin Station terminal. There, we were able to get off and stretch our legs while the musical equipment was shifted to the other end of the streetcar. The backrests of all the seats were flipped to face the opposite direction, allowing passengers to be seated again in the direction of travel. It also gave all of the riders an opportunity to be closer to the show as those who previously sat at the front were now at the rear of the train.

Out on the bridge once more, we were treated to another 45 minute set. Being above the water, it started to get chilly as the darkness fell, but the close quarters and the music helped to warm me to my soul. As we returned south, we came to a surprise standstill in a heavily graffitied tunnel for one final (sing-along) song. It sounds like this is something they do at every show, but I won’t give every single detail away. All I can say is that it makes for a special moment.

Inside the tunnel at the end of the night.

Two hours after our departure, we found ourselves back where we started our musical journey. It’s definitely a night that neither my fiancé or I will ever forget. It was so much fun, and I’m already itching to go to second Streetcar Show as soon as possible. Haven’t been yet? I urge everyone to follow their pages. You may luck out and catch a post about tickets in the nick of time.

Edmonton Happenings: MINBID MINBattle 2018 Launch Party & Art Battle

Co-founder of MINBID, Michel Côté, was one of the artists drawn to participate.

From what I know, MINBID (short for Minimum Bid) has existed for at least 5 years in the underground art scene of Edmonton. The collective began as a gathering of local creators; it gave them an outlet to share work with their peers and the public. The showings doubled as auction events, too, providing a way for artists to gauge the value of their pieces based on the highest bid received.

The banner ad for their 2018 MINBattle.

One of the things that MINBID has become known for is their annual MINBattle. Friday, May 11 marked the launch of the 2018 series and my initial visit to one of their functions. Kicking off at Vacancy Hall (103 Avenue and 104 Street), sixteen artists registered, but only eight had the opportunity to compete through a lottery draw. There were two rounds of four contestants. Each person had an hour to complete a 24 inch x 24 inch canvas.

Audience members voted with tickets stubs dropped into each artist’s bucket. Bids for the finished pieces could also be placed on the cards.

A group of three to four judges circled the room as they all painted. Audience members even got to partake in the judging process with ticket stubs to be deposited as a vote towards their favourite in both rounds. Plus, all of the pieces were up for auction with bidding starting at $50 and going up in increments of $10. The selling price would count in the final tally of each artist’s score as well. Whoever prevailed in each round (we didn’t stay for the announcement of the winners) will move on to the final MINBattle later this summer.

Co-founder Darren Bolz DJ’d throughout the evening.

Speaking to Darren Bolz, one of the co-founders of MINBID and the evening’s DJ, we found out that this is the first time they’ve used this particular format. Usually they’ve only had two artists battle head-to-head on any given night. This year, they thought they’d change things up, bringing in multiple artists at a time with the top two at each battle duking it out in a huge showdown later this year.

For the launch event, the ticket price was $25 plus fees in advance through their website or Eventbrite. At the door, the cost was $30. Although notes on the Eventbrite page said the cost covers gallery membership, it’s not like buyers receive a card or anything. Ultimately, the money simply covers entrance and the open bar.

Bartender for the night was Christopher Hughes.

Speaking of the bar, it could have been a little more diverse. There were only four drinks available, which I realize is essential to keeping things easy for the organizers, especially in a space that isn’t equipped for bar service. However, the options were so-so, and there was only one non-alcoholic choice. It was a PC brand watermelon soda that was sweet. I think offering just a simple cup or bottle of water would have been appreciated. Not everyone wants something carbonated and sugary to drink. Water would have been a nice alternative to help cool off in the warm space.

The lighting in the space is dim to create a non-intimidating vibe for the artists, allowing them to work without feeling too exposed.

They also struggled a bit with lighting in the basement of the Mercer Warehouse. In order to keep the vibe, the lighting has to be relatively dim. Nevertheless, it’s equally as important to allow enough brightness for the artists, which means there’s a balancing act that’s required. Being that this is a nighttime event, the place emptied out quite a bit by the second round. Yes, it’s unfortunate that people didn’t stick around to watch it all unfold. But, if I’m being honest, I was happy for the extra breathing room.

The participating artists were allowed to paint whatever they wanted within the allotted time, leaving it open ended. Still, if they haven’t already done this in the past, I think it could be very interesting to see them paint to a specified theme. It’d add another dimension to the competition. Additionally, for those not already in the Edmonton art industry and who didn’t know the competitors personally, it would have been beneficial for the emcee to announce the names of the artists before they started each battle

There was only one person, Peter Gegolick, who blatantly advertised himself and had a sort of “I don’t give a shit” attitude as he painted while wearing sunglasses. He actually had a finished piece of art already hanging on the gallery wall with an asking minimum bid of $700 (his battle piece could have been purchased for less than $100). The rest of them were pretty low key. While their first names were listed on the bidding cards, their last names weren’t always there, so it was otherwise hard to follow-up on some of the artists after the fact.

Another piece from Michel Côté was hanging in the MINBID gallery for sale.

I understand that one of the goals of these parties is to assist artists in determining how their work should be priced. It’s a bit of a catch-22 to do that though. I mean, it’s entirely reliant upon the audience that shows up. If there are people with the income and they happen to like the work they see, there’s a chance that a piece will go for much more. But, based on this particular event, I’d say it was mostly a youthful crowd that didn’t necessarily have the money to burn. Most didn’t seem willing to shell out the extra cash after what they spent on the actual event ticket.

The 2016 MIN Royale breakdown.

Maybe I’m wrong and it was an anomaly, or maybe they simply didn’t like what they saw. Either way, this aspect kept the number of bids to a minimum and kept the overall price of the bids low with most going for under $100. For comparison, I looked at how much battle auction pieces went for back in 2016. Of the 30 creations born out of MINBattle events, a dozen sold for over $150. That included one from my favourite artist of the 2018 launch night, Reece Schulte, that went for a cool $450.

I loved his dynamic Edmonton skyline piece so much that I put a couple of bids on it to the tune of $90 (this was a total steal). I left my name and number on the bidding card and walked away. Since the art is still wet on the evening of the event, they just phone or text the winning bidder to make arrangements for pickup and payment (either cash or credit is accepted) over the following week. Sadly, I didn’t end up hearing from MINBID by the end of the weekend, so I assumed someone else swooped in at the last second to snag it. Then, to my surprise, I received a message on Monday afternoon. It turns out that the person who outbid me couldn’t be reached, so it went to the next highest bidder! I’m super excited to add Reece’s work to my modest art collection.

Aside from the late start (listed as 9:00pm, yet didn’t truly begin until 10:30pm) and the crowdedness of the venue during the first round of the evening, my fiancé and I left with an awesome appreciation of what MINBID and MINBattle had to offer. Sure, I initially felt a little out of place. The majority of the other attendees came across as younger and artsier than me.

Nonetheless, MINBattle certainly made for a different kind of date night where we got to experience something new to us. We had some drinks, danced to music, mingled with the artists, and watched canvases come to life. What I like best is that it’s an excellent way to potentially find and buy art for an affordable price.

The next MINBattle event date is still to be determined. Make sure to sign up for their newsletter through the MINBID website to be kept in the loop. In the meantime, think about attending their Udell X & MINBID Collaboration (buy tickets here). Two parties will take place at the Udell Xhibitions Gallery (103 Avenue and 124 Street) on June 22 and 23. Any art aficionado won’t be disappointed. I know that we’re definitely looking forward to our second outing.

UX MB Art Xhibition + Auction

The Travelling Concertgoer: San Francisco Photostream

Walking from the BART station to see the Rolling Stones at the Oracle Arena in Oakland, CA on May 5, 2013

Walking from the BART station to see the Rolling Stones at the Oracle Arena in Oakland, CA on May 5, 2013

I’m not sure about you, but I haven’t met anyone in my life who has said they don’t enjoy music. Most find a genre they like and the majority are pretty passionate about music in some form or another. Whether they’re a musician or just a lover of the lyrics, beats and rhythms that make up the variety of songs out there in the universe, there is literally something for everyone.

I’m one of those passionate ones. I find artists I love all the time and I remain a devoted fan throughout the majority of an artist or band’s career. The genres of music I listen to run the gambit. Everything from top 40 to rap to folk to country can probably be found in my playlist, so I’m lucky that I live in a city that has become one of the major stops on many a concert tour. However, there are still some artists that don’t quite make it to my city, let alone my country because they either haven’t managed to crack the North American market to the point that it’s worth their time to tour here extensively or they’re such bloody legends that they know people will follow them instead. I’ve travelled to New York and Montreal to see Kylie Minogue, Toronto to see U2, London, England to see Girls Aloud and this coming December to New York once again to see P!nk. But, just earlier this month, I booked a whirlwind trip to San Francisco to see the Rolling Stones.

Prior to the Rolling Stones announcing their 50 and Counting tour, they were still one of the bands on my musical bucket list, if you will. I admit when I was younger I wasn’t much of a fan. I never really listened to them much and wasn’t necessarily inclined to, but after about a year of working full-time at my first “real” job after graduating from university, in an effort to create a regularly occurring social event for my friends and I, I decided to start a movie club. One month, in 2008, we chose to see Shine A Light, a documentary about the Rolling Stones that was directed by Martin Scorsese. I went in excited to see it because it was a documentary about one of the world’s biggest bands seen through the eyes of one of the best filmmakers and I wasn’t disappointed. That was the day I fell in love with their music and the characters that make up this long lasting group that, despite the pitfalls that rock and roll has brought to others, has stayed together with its original lineup for half a century.

Last year when the Rolling Stones announced their November/December shows in London and New York I thought my chance was finally here. The last time they had come to Edmonton, AB was back in 1997, so I wasn’t holding my breath that they’d grace my hometown with their presence, but maybe they’d come to Vancouver? Well, it was a long wait before they officially announced cities and dates for 2013 and while the west coast of Canada didn’t make the cut, San Francisco did.

I was more than determined to see them. With Mick, Keith, Ronnie and Charlie between the ages of 65 and 71, this could very well be the last time they’ll perform on a tour like this and I couldn’t miss out. And, I wouldn’t call it fate exactly, but I do think it was by luck that I happened to come across the band’s $85 link on their website the morning the tickets for San Francisco went on sale. The catch with those tickets is that you could only purchase them in pairs and you wouldn’t know where your seats would be until you arrived at the venue and picked them up. That was perfectly fine with me! A chance to see the Rolling Stones at half the price of even their lowest priced tickets in the main sale meant I couldn’t go wrong.

The concert was superb. I loved seeing the crazy array of people at the venue. The audience was having such a great time, dancing like there was no tomorrow and Mick Jagger literally is more energetic at his age than I am right now. They played many of their hits, but with their extensive catalog, I missed hearing songs like Wild Horses or Ruby Tuesday. I can understand why people follow them around from city to city on their tours. They are notorious for changing up their sets every show, so they’re never exactly the same, and maybe, just maybe, you’ll hear your favourite song.

This is their set list from Oakland, CA on May 5:

  1. “Get Off Of My Cloud”
  2. “It’s Only Rock ‘N’ Roll (But I Like It)”
  3. “Live With Me”
  4. “Paint It Black”
  5. “Gimme Shelter”
  6. “Little Red Rooster” (with Tom Waits)
  7. “Dead Flowers”
  8. “Emotional Rescue”
  9. “All Down The Line”
  10. “Doom and Gloom”
  11. “One More Shot”
  12. “Honky Tonk Women”
  13. “Before They Make Me Run”
  14. “Happy”
  15. “Midnight Rambler” (with Mick Taylor)
  16. “Miss You”
  17. “Start Me Up”
  18. “Tumbling Dice”
  19. “Brown Sugar”
  20. “Sympathy for the Devil”

Encore

  1. “You Can’t Always Get What You Want”
  2. “Jumping Jack Flash”
  3. “(I Can’t Get No) Satisfaction”

Even after a 2 and a half hour show, I still wished it was longer. But, alas, I can now say that I have seen the Rolling Stones live. The experience was certainly worth the trip, and though they’re the reason why I booked a vacation to San Francisco, I do try to make the most of my time in the cities I visit.

Over my three days in the home of the Golden Gate Bridge, I visited the Ferry Building on the Embarcadero and perused the stalls at the weekly farmer’s market, walked the streets of Chinatown, shopped around Union Square, ate at Tadish in the Financial District (apparently the oldest seafood restaurant in San Francisco) and at Bask SF (only a year old), walked up Lombard Street, followed Columbus Avenue from California Street past North Beach and all the way down to Hyde Street Pier and then down to Pier 39 to see the seals. I regret the shoes I brought with me because I thought those flats would kill me by the end of the trip, but I made it and it was fantastic.

Another trip and plenty to document it! As my friend said, she knew I must have just returned home and finally gotten Wi-Fi because I started Instagraming one photo after another to share with everyone. She also asked me how long I was there for, and when I replied that I was only there for three days, she was pretty amazed at how much I managed to do in such a short time span.

San Francisco through my eyes is here for you to view. Hopefully it inspires you to visit, too. Maybe for a show, maybe not. Either way, it’s worth seeing and with many things within walking distance of one another, you can cover a lot more ground than you think.