Category Archives: Art

Wedding DIY: Party Favour Prints

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Finished custom party favour!

For our wedding, I really wanted to make something unique for our party favours, but I didn’t know exactly what that would be at first. It wasn’t until I attended an evening printmaking class at the Art Gallery of Alberta that I became inspired. I had such a blast carving out a big stamp that I decided, then and there, to incorporate that creative technique into the gifts for our guests.

The full array of printmaking supplies.
A set of two lino cutting handles with a variety of knife tips.
A jar of Speedball printmaking ink.
Quality art paper is the foundation of a good print.

One of my friends who attended the drop-in class with me didn’t quite finish her piece that night, so she opted to buy her own tools in order to complete her carving at home. She found everything she needed at Delta Art & Drafting Supplies (11116 120 Street) during a sale, and I followed suit by picking up all of the required materials to put my plan into action. I think, all in, I spent about $130 on a few sheets of easy cut lino, an assorted lino cutter set, rollers, a paint knife, a jar of ink, and a metal leaf adhesive pen (that didn’t get used). I collected some quality art paper that I already had at home, which saved me a bit of money, too.

It took a while, but I was really happy with our design.

The hard part was coming up with a design to represent both me and Kirk as well as what our family and friends mean to us. When I finally put everything together, the rest of the project was a breeze.

It’s good to know how to write backwards!

It took me about a full day to trace and carve the piece out onto the lino. Since you’re creating a stamp, you have to remember that, when it’s printed, it’ll put a mirror image onto the paper. I had to be careful to make sure that the picture would be the right way around, especially with any wording. For designs that are more generic, it’s not much of an issue, but in my case, a map of Canada and all of the hand-carved text needed to be done correctly. Thankfully, I didn’t make any mistakes!

My work station with paper, rollers, and an ink palette.

With aching hands, I proceeded to print about 60 copies of my design the following day. I made sure to fully coat the lino stamp with ink, but avoided applying the paint too thickly. If there’s excess, the ink will bleed into the crevices where you want the lines to show, so it’s better to be a little light-handed with the paint. A dry roller used to apply pressure to the backside of the stamp will get the ink to stick to the paper for that perfect one of a kind transfer.

Hand painting gold hearts with metallic acrylic.

For our favours, the finishing touch was some gold hearts. I mentioned previously that I had purchased an adhesive pen, which I had intended to use to apply rose gold metal leaf to each piece. Unfortunately, I found the nib of the pen to be too wide, preventing me from drawing more refined hearts. The glue also never seemed to get sticky enough and the foil wasn’t defined at all. Ultimately, I tossed that idea aside and I ended up hand painting hearts onto the maps using metallic gold acrylic once the base layer of ink had fully dried.

Hand folded envelopes using scrapbooking paper.

The final prints were about 11″ x 7″ in size. Rather than sealing them up in plain manila, my mom found some 12″ x 12″ scrapbooking paper that we had held onto. She was like some origami queen; she folded these beautiful envelopes and then stuffed every one with a print. We sealed them with some pretty stickers that we found at Dollar Tree and then I hand wrote the guests’ names on them.

Signed and sealed!

It definitely was a wedding party favour that required thought and time, a real labour of love. I’m so glad that I opted to do this because it was something creative for me to work on, but it was also different and heartfelt. Our guests really appreciated the effort we put into it and they knew that what we said in our print was what we truly meant.

DIY isn’t necessarily for everyone who’s getting hitched. Nevertheless, I hope this encourages some of you to give DIY a try. At home projects can make things a bit easier on the wallet and, if you give yourself the time, it can be so gratifying to create things. In fact, I enjoyed this so much that I worked on a side printmaking project for a special letter given to my husband for our first look. It made our wedding day that much more special with those small details.

Edmonton Things To Do: 4Cats Arts Studio Clay Party (Summerside Location)

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The entrance to 4Cats Arts Studio Summerside.

This is a quick shout out to 4Cats Arts Studio in Edmonton’s Summerside area. Run by Michelle, this is one of the few locations that is still independent of head office. Although it probably caters mostly to camps for children and kids events, workshops can be booked for adults, too. They offer painting (acrylic or splatter), pouring, and clay parties (and sometimes clay wheel classes) for the older lot.

My bachelorette clay party!

Since I’ve never been much of a bar goer, for my bachelorette, my bridesmaids planned an afternoon at 4Cats Arts Studio where we were to create sloth mugs/planters molded out of clay. Eight of us attended at a cost of $25 per person. The large group table was laid out with settings for each of us. Once we’d all taken our seats, Michelle led us through the process from start to finish while her assistant handed out extra supplies.

Stations laid out with supplies for our project.
Ready to mold my block of clay.

The project was one that anyone could do. We didn’t have to master the use of a clay wheel. All we needed was clay, templates, a rolling pin, water, a brush, a pointed tool, our hands, and some paint.

Tips:

  1. Roll out the clay by putting your body weight on the middle of the rolling pin and not by using the handles. It’s a lot easier. Make sure the clay stays about half a centimeter thick, and don’t manipulate it with your hands too much, otherwise it’ll dry out and crack.
  2. To join pieces, use the scratch and slip method. Take the pointed tool and scratch X marks on both of the pieces at the points where they need to come together. Apply a little bit of water to each side and they should stick. Use your fingers to gently meld the pieces by “erasing” the joints. For hard to reach spots, take a bit of water and a brush to close up the crevices.
  3. If you want an interesting texture, roll the clay out over the canvas and use the canvas side as the outer part of the cup. You can keep a more rustic feel by leaving the clay unpainted, so it stays rough and textured as opposed to smooth and glossy when it’s coated with paint.
  4. The grey colour of the clay will actually turn to an off-white colour after it’s burned in the kiln. If you like the white, you don’t have to paint it to cover it up.
I opted to keep texture from the canvas on the outside of my cup.
I left everything unpainted except the nose and the eyes.

While we had selected the sloth pattern for our workshop, Michelle was nice enough to show us a number of other possibilities. Most of my friends still stuck with the sloth (every single one looked unique), but a couple of them ventured out and made a bunny or a dog instead. Because of the nature of clay and the fact that our cups still had to be fired in the kiln, we weren’t able to take our creations home right away; I’m definitely looking forward to seeing all of the finished products when they’re ready though.

My friend Michelle was so quick and hers was so perfect!
Ashley made a bunny since it’s her favourite animal.
Lisa made a dog like her puppy Melvin. Alexis’ sloth was super cute, too.
Lilla made an adorable girl sloth.
Kirsta decided to give her sloth a tan coat.
Amanda’s made her sloth a bit bigger.

Ultimately, it was a really relaxing activity for about two hours. Admittedly, each person was kind of in their own world at times, yet the ambiance is perfect to gather a larger group for a catch up while crafting. We were warned that the clay could get messy. But, with the provided aprons, we all managed to keep our clothes clean. Our hands were the only things that got a bit dirty (don’t wear your jewelry while manipulating the clay); however, a quick rinse with water was enough to remove any residue.

Gathering inspiration from the others and just concentrating on our pieces.
Fully invested in our own pieces.

I’m not sure if 4Cats Arts Studio is still pre-scheduling many adult workshops into their calendar. Nevertheless, if you’re interested in setting something up for an event or just a fun meetup for your friends and family, it’s an excellent and creative option. Michelle is a wonderful host who provides great instruction and keeps things spirited throughout.

Edmonton Event Review: Share the Flair Pin & Patch Show

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My Share the Flair haul!

This past Saturday, Edmonton’s first show devoted to pins and patches was held. Called Share the Flair, organizers Julie Morrison of Majesty and Friends, Jenny Chan of Hop & Flop, Emilia Housch of Light of the Moon Pins, and Courtenay McKay of JOJO & GUN put together the one-day event to showcase this revitalized form of miniature art. I remember collecting pins as a child, so this was pretty nostalgic for me.

In essence, each piece of metal or fabric purchased supports the creators’ ideas and allows the buyer to express a bit of their personality. At Acacia Masonic Hall just off of Whyte Avenue and 104 Street, it seemed that locals were more than excited and ready for something like this.

Waiting in line to get through those doors. Even this point, it was another 20 to 30 minutes.

Many, including myself, lined up down the block for well over an hour just to get in the doors. Apparently, some enthusiasts were even waiting outside by 7:30am, two and a half hours before the show was to launch. I arrived just 15 minutes before the ten o’clock start and was impressed at the turn out for an inaugural event. They estimated that 500-600 people would come by, but I’m guessing that they probably surpassed that.

Finally made it close to the entrance!

By the time I got to the table to pay my entrance fee of $4, all of the one hundred swag bags had already been handed out. I’m not entirely sure what was in each of them, but the Instagram posts on the Share the Flair page indicated that there was plenty of fun stuff that had been provided for those early birds. During the wait, volunteers also gave away complimentary cotton candy as a treat.

My bingo card and a volunteer making cotton candy.

On the plus side, everyone who made it through the doors got to earn a little something extra with their ingenious idea of bingo cards. For every purchase made from the twenty or so vendors, a stamp was placed on the card. If you got a full row, column or diagonal line, you got to spin the wheel at a table that was filled with freebies from sponsors and participating merchants.

Freebie pins from the table at the entrance.

There was plenty of creative talent there, all of them based out of Edmonton and surrounding areas. As much as I wanted to buy something from every single one of them, I had to stick to a budget. So, I sadly missed out on the anatomical heart from Majesty and Friends as well as the crows and teacup owl from Sabtastic (I’ll pick those up down the road) and the gorgeous hand-sawn copper pieces from Smithstine (more expensive than the average manufactured pin because of the nature of how they’re made), which were added to Kristine MacDonald’s line specifically for Share the Flair.

Items from Hop & Flop
La Petite Watson’s Explore pin.
La Petite Watson’s super cute maple syrup pin.
The cats eyes make me laugh on this pin from Paws the Cat Cafe.
Pins from Crystal Driedger, including a Bingo Card win!

Still, with most pieces ranging from $8 to $15 each, I walked away with a treasure trove of new pins from the aforementioned Hop & Flop and JOJO & GUN, my good friend Lea St John who is known as La Petite Watson for her work (and “Experience Explorista” travel blog), Paws the Cat Cafe, and artists Crystal Driedger, Jess from Daymare, and Jacinda Cote from Story Wild Studios. Additionally, I indulged in a couple sweet treats from Caramunchies (they had branded pins for sale).

City’s unofficial animal, the Magpie. Pin from JOJO & GUN.
I had my eye on this Totoro pin from Daymare.
This is a good reminder from Story Wild Studios.
Won this Alberta rose pin from my Bingo Card. Designed by Mr. Pin Man.
Sweet treats from Caramunchies.

I’m not sure yet when the second Share the Flair show will be, but give them a follow or like on social media to keep in the loop. My hope for the next event is that they’ll have an expanded venue (with some air conditioning), so that they can accommodate more vendors and a larger capacity of people at once to reduce the overall wait time. It’s not often that I’ll stand in a line for more than an hour and a half. I just really wanted to support my friend and the community on this initial go round.

Congrats to everyone who organized, sponsored and volunteered for Share the Flair. You did a phenomenal job with planning and executing this event. I think it’s going to be a mainstay of the annual Edmonton arts scene going forward!

Edmonton Things To Do: Design A Sign by Paint Nite

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The products of our Design A Sign night.

A few years ago, Paint Nite infiltrated Edmonton’s night life. Taking over bars across the city almost every day, it was a great way to dip one’s toes into the creative realm while hanging out with a friend or two. Combine that with drinks or food, and it was a pretty perfect evening, if I do say so myself.

I was obsessed with Paint Nite, wanting to sign up for one after another. In fact, I enjoyed the practice so much that I ended up purchasing my own portable easel, canvases, brushes, and acrylics so that I could work on art outside of those occasions, too.

Even owning all of the materials needed to do the same thing in the comfort of my home, I still attend them every so often. Simply put, it’s a fun time. As the Paint Nite brand has expanded, so have their event offerings.

I have previously tried Plant Nite (terrarium building) twice. While I always leave hopeful that my miniature gardens will survive, sadly, I’ve come to the realization that I’m probably not meant to be a plant mom. I just do not have a green thumb at this point in my life and I can’t continue to spend the money on something that will ultimately die.

Alas, the makers of Paint Nite introduced Design A Sign locally sometime last fall. It’s not exactly game changing or anything. There are already a few other businesses that run similar types of parties, but they tend to charge between $70 to $100 per person. Paint Nite is $65 plus tax each, including the $20 material charge. They also regularly offer discounts through their website, so it’s easy to participate for less than that. If you can’t find a discount directly from them, purchase a Paint Nite Groupon. Although they state that they’re for Paint or Plant Nite, I’ve tested it and the voucher is applicable towards the total cost of Design A Sign when redeeming.

Kirk and I went to a Design A Sign night with another friend in December. It took place at Sixty 6 Bar N’ Grill inside Londonderry Mall. It seems like all of their upcoming events are happening at the same location (hopefully they’ll expand to other area around Edmonton as this is quite out of the way for us).

Waiting to get started with our stencils and wood.

We arrived early to get some food before things officially launched. The host saw us and asked if we were there for Design A Sign. When we said yes, she allowed us to pick out our pieces of wood and to save spots at one of the prepared tables. I guess for this particular event, the place where they had purchased the wood had made a mistake with sawing the pieces as some were a tad shorter than they should have been, but we got to choose first, so it wasn’t an issue for us. The cuts we selected were technically stained, too, so they already had a nice tint to them.

Once we settled in for Design A Sign, we each had to join our two slabs of wood together using flat metal braces, screws, and an electric screwdriver on the backside. We also received tiny screws and a little hanger to attach. When that was done, we flipped our now larger boards over to work on the front.

My cup of silver stain.
Waiting for my stained wood to dry.

We were instructed to select a colour of paint from the many options available. I filled a small 1.5″ diameter cup with a few millimeters of acrylic and then I topped off the cup with water. Stirred together, it created a wash that I applied with cloths to the wood. The makeshift stain worked quite well, especially when using darker colours. I chose a silver paint that was much more subtle, leaving a nice shimmery sheen visible when the light hits the wood just right.

Removing the bubbles from the stencil.
Peeling away the top layer to reveal the stencil underneath.

When the base dried, I then took my stencil (selected in advance when purchasing my ticket online; there are dozens of different signs to choose from) and peeled the paper backing from them. It left an adhesive that allowed the stencil to stick to the wood. Any card I could find was then used to push out the air bubbles. TIP: Upon pulling the paper backing from the stencil, try to keep the full stencil together. Don’t allow the cutouts to come up with it. By ensuring that it’s in one piece, it’ll make things much easier later.

 

With the stencil now attached to the wood, I could then peel off the cutouts to reveal the design. Do a thorough once over to make sure that all of the parts that should be taken away are gone. Since I had chosen a saying, it took me a while to get mine ready. The text was the most difficult part to work with because I had to make sure the center of letters like an ‘a’ or an ‘o’ didn’t go missing. Finally, with the necessary areas of wood completely exposed, I began to paint.

Metallic gold and silver stars are highlights of my sign.
The final colour scheme of my sign.

The paints were awesome as they dried quite quickly, blended well, and were great for layering. We also had a number of different paint applicators at our disposal (the white makeup sponges were the best). I used an ombre technique, so the colours of the font faded from one shade to another. I went for touches of metallic throughout as well.

Once the paint dried, I removed the majority of the stencil.
Then, I carefully took away any parts of the stencil that remained.

When I felt satisfied with my work, I waited a bit longer for the paint to truly dry (our host also had a fan set up for people to use, if they were impatient about the drying process). Then, I went for it. I lifted a corner of the adhered stencil and peeled. TIP: Be careful when you do this though. I didn’t realize I was pulling it off going with the grain of the wood, and the stencil ended up lifting up slivers of wood with it, meaning there are spots of my sign with lines and no stain. It’s not super noticeable, but I know those flaws are there. As soon as I figured that out, I switched to peeling from an opposite corner and I was much more successful. No more wood came off.

From start to finish the whole activity took about three hours. The three of us had an excellent time and I was itching to register for another Design A Sign event right away. It’s a chance for anyone to express their inner artist without the pressure. I find these nights to be really relaxing and just enough out of the ordinary to make it feel like something special.

Edmonton Things To Do: Art Gallery of Alberta Adult Drop-In Studio

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Tons of Ideas by Vera Gartley

Earlier this summer, I was making plans with a friend of mine. Due to scheduling conflicts, it was somewhat difficult to find a time that worked for both of us to get together. Futhermore, I didn’t want to do our typical thing of just going for dinner or doing a Paint Nite event. So, I started to scour the internet for ideas of what else we could do in Edmonton.

Honestly, I don’t even know how I eventually ended up on the Art Gallery of Alberta (AGA) website, but I did. What I found is that they actually offer a weekly Adult Drop-In Studio every Wednesday night. While that particular day of the week didn’t work for her, I was intrigued and I wanted to check out a few of those sessions for myself. I gathered other friends of mine and I made it to three different classes over the span of September.

The first one I went to, I phoned ahead to reserve spaces for me and my friends because I wasn’t sure what kind of attendance to expect (there is a maximum of 20 spaces). You are able to hold spots the day of the drop-in, but you do have to provide payment info at that time. You can phone it in and pick up the tickets at guest services upon arrival at the gallery, or you can walk-in and pay in person.

Tickets are $18 plus tax per person and that includes all of the materials that you’ll be using. The price point is stellar for a two hour activity, especially when compared to the majority of other creative events running throughout the city.

Carving our designs out of lino.
Inking the roller to make our prints.
The table is covered with printmaking materials.
My finished prints from my lino carving.

As it turns out, reservations weren’t really necessary. Only half a dozen people showed up for printmaking the first night. Initially, there didn’t seem to be a whole lot of direction. The website had indicated that we would be doing lino carving with a theme of cityscapes. Yet, it pretty much turned into a freestyle situation in that we weren’t at all limited. Everyone was allowed to design whatever they wanted, and guidance only came into play once we started doing more of the printmaking itself.

In fact, I loved printmaking so much that I made my way to Delta Art & Drafting Supply that weekend in order to pick up all of the materials needed to do the same thing at home (I have a couple of special projects planned). Thankfully, there was a sale going on.

Samantha Walrod’s Vanitas exhibition was inspiration for our Floral Studies session.
One of the finished pieces from Samantha Walrod.
The beginning of the floral clock in Samantha Walrod’s room.

The following week, my colleague and I ventured out into the cold to make it to the AGA for their Floral Studies drop-in. We arrived a little bit late, but, once we paid, we managed to catch the group of about ten people as they were heading up to the galleries. The instructor for the night wanted us to take inspiration from an exhibit called Vanitas by artist Samantha Walrod. She turned the RBC Work Room (a studio-like residence space) from an empty gallery into several pieces of finished art that explored the idea of life and loss using floral imagery and the passing of time. Her work utilizes layering through multiple mediums like collage, ink and paint.

Acrylic paint and chalk pastels formed the basis of our Floral Studies work.
Learning how to apply colour and texture to paper using different techniques.
I love how the blue flowers turned out.
My finished piece…just wish I didn’t get fingerprints everywhere.

I was kind of hoping that we would be doing something similar to what we’d seen. Instead, the focus was more on learning to work with chalk pastels and acrylic paints together. Not quite what I expected. Still, I managed to learn some new ways of applying colour and paint to paper, as well as creating my own colours using pigments from the chalk pastels and mixing it with the acrylics.

Finished Japanese stab bounded books.

The final session that I made it to was about book binding. I failed to take photos during this one, but I do have a picture of the finished products. We were taught how to put our own travel journals together using just paper, a couple of binder clips, a push pin, a needle and some thread. We used a simple Japanese stab process, which is easily searchable on Google or YouTube. After we each completed two books, we took them up to the James Wilson Morris gallery where we practiced our sketching techniques (i.e. shading, blind contour, gesture, etc.).

All of these turned out to be fun in their own unique ways. I’ve got my eye on a silk screening class in early-November, but in the meantime, they have a variety of other drop-ins like plaster casting or slow stitch through October. Additionally, if you show up to the gallery early, you can take advantage of the All Access Evenings. Those happen every Tuesday and Wednesday from 5pm to 8pm and it grants all patrons entrance to the exhibits for free.

The design of the AGA building is always fun to explore.
Manning Hall, accessible as you enter the AGA, always has interesting art. This one is from photographer M.N. Hutchinson.

The Art Gallery of Alberta is definitely making an effort to increase the accessibility and affordability of art and art-related activities. Don’t miss out. Sure, not every workshop is going to call to you, but in the scope of a year, there’s bound to be something that will get your creative juices flowing. Keep an eye on the AGA calendar and carve out some time at this local gem of an institution.