Edmonton Restaurant Preview: DOSC Restaurant

Welcomed to the freight elevator with sparkling wine by Tony Britton.

Intrigue and mystery laid the groundwork for our night at DOSC Restaurant (their original moniker and subsequent change to appease the AGLC further lends itself to the story of how they came to be; ask anyone working there for details suggested by their logo). Instructed to enter from the rear door, a select few of us were led into an old freight elevator and then dropped off in a narrow hallway that would be the scene of our theatrical meal for much of the evening (hosted by operating partner Shangeeta Prasad).

The friendly servers were asked to remain stoic while taking away and dropping off our dishes throughout. But, meeting a number of them once dinner ended, it was obvious they found it difficult to keep straight faces. Several of them broke character and let their personalities shine through (hello to the guy who shimmied his way out at one point!). I don’t actually think DOSC is going to go that route once the business officially opens tomorrow. However, it certainly reminded me of what I might call an experiential restaurant found in the likes of New York City or similar. It’s definitely something one would never forget. Although it’s unlikely DOSC will plan this style of pop-up presentation again, there’s a chance they can be convinced to do it for private events.

It was intimate with a very strong focus on the food. Introductions from the chefs for each dish prepped us for what we were about to ingest. And, let’s just say that the menu isn’t exactly for the faint of heart. The meal took us from the nose to the tail of the animal, meaning we tried everything from tongue to sweetbread to liver. While some of the menu items may not be to everyone’s taste, the kitchen certainly works their magic with a couple of the plates by turning often roughly textured meats (i.e. tongue) into the tenderest, most luxurious bites. Adventurous diners may be greatly rewarded for branching out.

Miyazaki Chuck Wagyu

With Alberta being known for producing high quality beef, it’s interesting to note that Edmonton doesn’t really have any local restaurants that truly specialize in cooking this specific protein. Any that you can think of tend to be chain restaurants. That’s why owner and chef Jake Lee of Seoul Fried Chicken wanted to introduce themselves as a steakhouse despite the many hats DOSC will be wearing. They have an open kitchen with an in-house butchery and a dry aging cooler to cure their own meats. An extensive list of 22 cuts will be available with just two types of beef being imported from outside of Canada (ex. $100 per pound melt-in-your-mouth Wagyu beef).

Along with chef de cuisine Israel Alvarez, their first seasonal menu attempts to bring recognizable dishes that are borderline creative to the table. The twelve courses we tried had mainly Canadian and Mexican influences with a very subtle hint of Asian flavour in the Wagyu Tartare. According to Jake, depending on what’s available during the year and their inspiration (such as special guest chefs), watch for the menus to change every so often. Don’t ever expect to see a regular old burger served here though. With so many places in Edmonton doing that already, they want to do other things better. Led by bar manager Tony Britton, drink pairings are of high importance at DOSC, too. Phenomenal wine like the Rioja Tempranillo and beer like Situation Brewing‘s WTF Raspberry Ginger Sour were excellent additions to our supper.

Ox and Cat

DOSC resides on the corner of 104 Street and 102 Avenue in the historic Metals Building, which used to be home to Ric’s Grill (eventually rebranded to Ric’s on 104), The Burg and, lastly, Stage 104. People say the location is cursed, but maybe the spot just needs the right people behind it. Plus, with the Ice District/Rogers Place now just down the street, the foot traffic and potential clientele is much higher than ever before.

The DOSC team is ambitious. The amount of overhead to run the place is sort of unfathomable. Thinking of this media black out event we attended, there were at least 20 servers, several staff in the kitchen, bartenders, baristas and managers on hand. Every single one of those people gave it their all to create a spectacular show for ten very lucky people.

After much anticipation, with one last course to go (Pineapple Upside-Down Cake for dessert), we were, again, led into the elevator, out the back entrance and around the building for the big reveal. Initially, curtains blocked our view of the restaurant interior and exterior windows were covered, so it was like something out of HGTV. When it appeared before us, we were greeted by a gorgeous, large room broken out into four distinct spaces — cafe, lounge, bar and dining room — to match unique menus and courses offered throughout the long days. They’ll be open as early as 7am for breakfast and before work coffee (supplied by local roastery Rogue Wave) and closing as late as 2am on weekends to accommodate their patrons and the neighbourhood.

Bricks made in the North Saskatchewan River have been left in place.

They’ve also done their best to retain as much of the 100+ year history (constructed in 1914) as possible by showcasing the walls built from bricks made in the North Saskatchewan River and keeping the original wooden pillars. The rest of space has been completely customized and revamped with elegant, hip, and modern touches meant to bring personality to the venue while still feeling comfortable.

So much careful thought went into the execution of DOSC. For the staff, it’s about the journey and process that gets them to the final result, and, from what we can tell, they’re well on their way to making a positive first impression. The whole team elevated our entire experience last night, so much so that we’re planning on being there for their first real dinner service tomorrow evening (Sunday, July 22). Those interested in checking out DOSC for themselves are encouraged to either make a reservation through OpenTable or walk right in starting at 9am.

Edmonton Happenings: MINBID MINBattle 2018 Launch Party & Art Battle

Co-founder of MINBID, Michel Côté, was one of the artists drawn to participate.

From what I know, MINBID (short for Minimum Bid) has existed for at least 5 years in the underground art scene of Edmonton. The collective began as a gathering of local creators; it gave them an outlet to share work with their peers and the public. The showings doubled as auction events, too, providing a way for artists to gauge the value of their pieces based on the highest bid received.

The banner ad for their 2018 MINBattle.

One of the things that MINBID has become known for is their annual MINBattle. Friday, May 11 marked the launch of the 2018 series and my initial visit to one of their functions. Kicking off at Vacancy Hall (103 Avenue and 104 Street), sixteen artists registered, but only eight had the opportunity to compete through a lottery draw. There were two rounds of four contestants. Each person had an hour to complete a 24 inch x 24 inch canvas.

Audience members voted with tickets stubs dropped into each artist’s bucket. Bids for the finished pieces could also be placed on the cards.

A group of three to four judges circled the room as they all painted. Audience members even got to partake in the judging process with ticket stubs to be deposited as a vote towards their favourite in both rounds. Plus, all of the pieces were up for auction with bidding starting at $50 and going up in increments of $10. The selling price would count in the final tally of each artist’s score as well. Whoever prevailed in each round (we didn’t stay for the announcement of the winners) will move on to the final MINBattle later this summer.

Co-founder Darren Bolz DJ’d throughout the evening.

Speaking to Darren Bolz, one of the co-founders of MINBID and the evening’s DJ, we found out that this is the first time they’ve used this particular format. Usually they’ve only had two artists battle head-to-head on any given night. This year, they thought they’d change things up, bringing in multiple artists at a time with the top two at each battle duking it out in a huge showdown later this year.

For the launch event, the ticket price was $25 plus fees in advance through their website or Eventbrite. At the door, the cost was $30. Although notes on the Eventbrite page said the cost covers gallery membership, it’s not like buyers receive a card or anything. Ultimately, the money simply covers entrance and the open bar.

Bartender for the night was Christopher Hughes.

Speaking of the bar, it could have been a little more diverse. There were only four drinks available, which I realize is essential to keeping things easy for the organizers, especially in a space that isn’t equipped for bar service. However, the options were so-so, and there was only one non-alcoholic choice. It was a PC brand watermelon soda that was sweet. I think offering just a simple cup or bottle of water would have been appreciated. Not everyone wants something carbonated and sugary to drink. Water would have been a nice alternative to help cool off in the warm space.

The lighting in the space is dim to create a non-intimidating vibe for the artists, allowing them to work without feeling too exposed.

They also struggled a bit with lighting in the basement of the Mercer Warehouse. In order to keep the vibe, the lighting has to be relatively dim. Nevertheless, it’s equally as important to allow enough brightness for the artists, which means there’s a balancing act that’s required. Being that this is a nighttime event, the place emptied out quite a bit by the second round. Yes, it’s unfortunate that people didn’t stick around to watch it all unfold. But, if I’m being honest, I was happy for the extra breathing room.

The participating artists were allowed to paint whatever they wanted within the allotted time, leaving it open ended. Still, if they haven’t already done this in the past, I think it could be very interesting to see them paint to a specified theme. It’d add another dimension to the competition. Additionally, for those not already in the Edmonton art industry and who didn’t know the competitors personally, it would have been beneficial for the emcee to announce the names of the artists before they started each battle

There was only one person, Peter Gegolick, who blatantly advertised himself and had a sort of “I don’t give a shit” attitude as he painted while wearing sunglasses. He actually had a finished piece of art already hanging on the gallery wall with an asking minimum bid of $700 (his battle piece could have been purchased for less than $100). The rest of them were pretty low key. While their first names were listed on the bidding cards, their last names weren’t always there, so it was otherwise hard to follow-up on some of the artists after the fact.

Another piece from Michel Côté was hanging in the MINBID gallery for sale.

I understand that one of the goals of these parties is to assist artists in determining how their work should be priced. It’s a bit of a catch-22 to do that though. I mean, it’s entirely reliant upon the audience that shows up. If there are people with the income and they happen to like the work they see, there’s a chance that a piece will go for much more. But, based on this particular event, I’d say it was mostly a youthful crowd that didn’t necessarily have the money to burn. Most didn’t seem willing to shell out the extra cash after what they spent on the actual event ticket.

The 2016 MIN Royale breakdown.

Maybe I’m wrong and it was an anomaly, or maybe they simply didn’t like what they saw. Either way, this aspect kept the number of bids to a minimum and kept the overall price of the bids low with most going for under $100. For comparison, I looked at how much battle auction pieces went for back in 2016. Of the 30 creations born out of MINBattle events, a dozen sold for over $150. That included one from my favourite artist of the 2018 launch night, Reece Schulte, that went for a cool $450.

I loved his dynamic Edmonton skyline piece so much that I put a couple of bids on it to the tune of $90 (this was a total steal). I left my name and number on the bidding card and walked away. Since the art is still wet on the evening of the event, they just phone or text the winning bidder to make arrangements for pickup and payment (either cash or credit is accepted) over the following week. Sadly, I didn’t end up hearing from MINBID by the end of the weekend, so I assumed someone else swooped in at the last second to snag it. Then, to my surprise, I received a message on Monday afternoon. It turns out that the person who outbid me couldn’t be reached, so it went to the next highest bidder! I’m super excited to add Reece’s work to my modest art collection.

Aside from the late start (listed as 9:00pm, yet didn’t truly begin until 10:30pm) and the crowdedness of the venue during the first round of the evening, my fiancé and I left with an awesome appreciation of what MINBID and MINBattle had to offer. Sure, I initially felt a little out of place. The majority of the other attendees came across as younger and artsier than me.

Nonetheless, MINBattle certainly made for a different kind of date night where we got to experience something new to us. We had some drinks, danced to music, mingled with the artists, and watched canvases come to life. What I like best is that it’s an excellent way to potentially find and buy art for an affordable price.

The next MINBattle event date is still to be determined. Make sure to sign up for their newsletter through the MINBID website to be kept in the loop. In the meantime, think about attending their Udell X & MINBID Collaboration (buy tickets here). Two parties will take place at the Udell Xhibitions Gallery (103 Avenue and 124 Street) on June 22 and 23. Any art aficionado won’t be disappointed. I know that we’re definitely looking forward to our second outing.

UX MB Art Xhibition + Auction

Edmonton Restaurant Review: Bottega 104

Bottega 104 is all about Italian.

Situated on the 104 Street Promenade, between Jasper and 102 Avenues, sits Bottega 104. The Italian eatery is less than a year old. Nonetheless, it seems to have become a favourite in the downtown neighbourhood. When I arrived after work to meet a friend, patrons were starting to trickle in. By the time the two of us left, the venue was jam packed full of people.

My reservation, booked through the OpenTable app, yielded us a table towards the far back corner of the restaurant. It allowed me a bit of a view of the open kitchen as well as perfect sightlines of the long bar and the rest of the establishment. Honestly though, it’s a tight space.

The bar has a lovely design.

Sure, the details of the design scheme and the lighting added to the ambience, but I didn’t find it to be particularly comfortable. It was really cramped. When I was taken to our seats, I was the first to get there, so I decided to sit on the booth side. I had to squeeze myself between the two tables, sucking in my chest, to fit through. Moreover, I narrowly avoided knocking down the wine glasses of the guests next to us. In a way, it kind of reminded me of the close quarters experienced in restaurants on trips to New York City. However, let’s face it. This is Edmonton. People aren’t used to it being like this, and I can’t imagine others love feeling as if they’re sitting on each others’ laps either.

Room aside, I narrowly missed Bottega’s Prohibition Hour specials on their cocktails. From 2pm to 5pm, $13 two-ounce cocktails are marked down to $7 each, which is a hefty savings. Once I had settled in, I may have been able to quickly select something. Yet, our server was gone as soon she dropped off the menus, and she didn’t bother to come back until my friend showed up fifteen minutes later. Ultimately, we both chose water over any other beverage.

Ready to share dishes, family style.

When we did get to place our order, we opted to share a couple of the items: Spaghetti Carbonara Pasta ($21) and Prosciutto Pear Pizza ($21). As we waited for the kitchen to prepare our food, the server came back with side plates and pasta tongs, so we could more easily divide the dishes family style. The food was decent. Although, personally, I found it to be either too salty (pasta) or too bland (pizza).

Spaghetti Carbonara

The Spaghetti Carbonara was made with a “delicate” cream sauce, smoked pancetta, and egg. It was true that the sauce was creamy; unlike other plates of carbonara I’ve eaten, the egg avoided curdling. There was great potential as seen with the extra crispy pieces of pancetta, too. Bottega also didn’t skimp on the amount of protein. The problem was that it became very repetitive on the palate with only the pork and sauce to turn to. They had essentially become one and the same in terms of flavour. I realize that carbonara is not anything fancy; nevertheless, something is needed to help cut through the dish to awaken the taste buds.

Prosciutto Pear Pizza

As for the pizza, I was expecting more. The dough was topped with prosciutto, mozza, gouda, cherry tomatoes, sliced pear, toasted walnuts, and balsamic glaze. It’s a combination that sounds like it’d be amazing. Each inch of the pizza was covered with one of those ingredients, but there was very little stacking. Therefore, each bite provided just a small glimpse of what it could have been. There wasn’t a whole lot of balance between the saltiness of the cured meat and cheeses, the sweetness of the pear, the nuttiness of the walnuts, or the acidity of the tomatoes and balsamic drizzle. Additionally, the pizza cooled off fast, taking away the gooiness that any of the melted cheese may have had.

Zeppoli

Our night concluded with us splitting the Zeppoli ($9) for dessert. Bottega lists it as Italian street food. Typically, they come in the form of fried dough balls covered in some sort of sauce or a dusting of sugar and spice. They’re kind of like the mini doughnuts available at all of our annual festivals. When they were presented to us, I was surprised at the portions (definitely enough for two to three diners) as well as the shape of the Zeppoli. Instead of puffy balls, they were sticks of dough in the vein of churros, yet chewier. Sprinkles of icing sugar decorated the zeppoli along with zigzags of Nutella ganache. Again, this was underwhelming. Had the menu not mentioned Nutella, I wouldn’t have guessed there was supposed to be any hazelnut taste to this. It came across as a basic chocolate sauce.

In the end, this wasn’t what I was hoping for. The service, once both of us were there, was passable. The food was edible, but nothing to write home about. Mostly, it was too crowded and noisy. I mean, the din from everyone conversing makes it loud enough as it is. So, my recommendation is that they take out a table or two and lower the music a bit. I think visitors would appreciate it more than they know. Ultimately, the menu is their bread and butter though. If I’m to return and spend my hard earned money there, that’s where they need to see some major improvements.

Edmonton Restaurant Review: Villa Bistro

Braised Short Rib

To my surprise, this summer, I was scrolling through my OpenTable app when I came across a new restaurant called Villa Bistro. It was the first I’d heard of it, so I decided to Google the business. As it turns out, the trusty Free Press Bistro on 100 Avenue and 104 Street had been sold and renamed. Villa Bistro’s goal is to serve high-end comfort food, which, in a city that seems to be in the throws of winter for half the year, seems appropriate.

I kept the new eatery in mind for the past few months, and I finally visited with a friend at the end of November after we completed a big Christmas shopping spree at City Centre. We happened to be hanging out downtown on an Oilers game night, so depending on where we parked, we could have ended up paying for it. However, we lucked out by driving an extra block further where we found a spot on 99 Avenue. The payment machine didn’t indicate that it cost anything after 6:00pm. Yet, just in case, we phoned 311 to double check and they confirmed that the zone we were in fell outside of the event area. Bonus! Otherwise, if money isn’t a concern, there is parking in front of the establishment as well as an Impark lot across the street, too.

When we entered Villa Bistro, it was fairly quiet. I’d say there were, at best, a handful of other tables and a couple of bar stools occupied. I noticed the space had been freshened up with brighter walls, new modern floral art (i.e. the ubiquitous succulent), as well as updated tables and chairs. It looked lovely. The host greeted us from behind the counter and told us we could take any available table. We opted for one tucked into a nook by the windows. Once we settled in, the server brought the menus over along with glasses of water.

Veggie Panini with Fries

The food selection has an Italian leaning with entrees that include panini sandwiches or pasta bowls and appetizers of meatballs, charcuterie, and caprese skewers. My friend ended up ordering the Veggie Panini ($15). I indulged by going with the Braised Short Rib ($24). The two of us also shared an order of the Baked Brie ($15).

As we waited for the kitchen to prepare our meal, it seemed to be getting cooler inside the restaurant. I assumed it was because we were next to a window and didn’t think too much of it at first. But, right before our dishes arrived, my friend stepped out into the building’s adjoining hallway to use the bathroom and, when she returned, she confirmed that the temperature had most definitely dropped. The server eventually let us know that what we were experiencing wasn’t the norm. Apparently, the whole building was hit with a heating problem and someone was being called in to fix it as soon as possible.

Despite the cold, we powered through our dinner like the true Canadians we are. My friend was really hoping that her Veggie Panini would be reminiscent of the vegetarian toasties she had when she visited Australia. Unfortunately, that wasn’t the case. The sandwich, consisting of goat cheese, grilled zucchini, mushrooms and red peppers in a balsamic glaze was still tasty. Her one recommendation to Villa Bistro though? The ciabatta bread was barely toasted, if at all. Paninis are supposed to be heated and pressed and this one didn’t seem to fit that description. Coming with the sandwich was a large side of fries. They looked to be freshly made and lightly seasoned.

Baked Brie

We quite enjoyed the Baked Brie. Honestly, it’s kind of a hard appetizer to screw up. This one was presented with a whole mini round of brie that was topped with fruit compote (the menu said it was blueberry, but the colour and flavour made me think it was more akin to raspberry). There were six slices of focaccia crostini to go with it. When we cut into the cheese, it was warm and nicely melted with the center oozing a little. The sweet compote paired perfectly with the rich, creamy, nutty brie.

I will give myself a pat on the back for choosing the Braised Short Rib because I think it was worth every penny. The meat was braised in-house until it was tender enough to be pulled apart with just a fork. There was only a minuscule amount of fat throughout the cut, so I was able to eat every bite of the short rib. It was also marinated very well with the flavour completely saturating the meat. Since it was so savoury, the combination of the short rib with a large helping of sweet potato puree was kind of ingenious, providing that important balance. The addition of fried parmesan Brussels sprouts that were charred and crisp on the outside just made the whole thing even better (and provided me with some actual veggies).

Braised Short Rib

By the time we polished off our plates, Villa Bistro had become a literal ice box. Our server was tucked behind the bar with a heater while she wore her parka, and my friend had also pulled on her coat. Otherwise, there was a slight chance we would have hung out a bit longer and had dessert. In those circumstances, however, we couldn’t bring ourselves to stay. We grabbed our bills to pay and then head back out into the winter evening.

I’ll admit that the staff could have offered to compensate us for the inconvenience of eating in freezing conditions. Even though I know what happened wasn’t their fault, it’s still good business practice to acknowledge when something is wrong and to do whatever possible to rectify the situation. The host/server was super friendly and, despite the issue, she did her job pretty well. But, there wasn’t any discount on the bill or anything, which I think another restaurant would have considered. I believe the least they could have done was to offer each of us a hot beverage to keep us cozy as we ate.

Regardless, I hope that Villa Bistro’s building has since fixed the problem and that every visit hereafter will be much more comfortable. While the establishment is still coming into its own and there’s always room for improvement, they’re on the right track. With good service, a fantastic location and delicious food, they can expect to grow a wealth of regular customers.