Tag Archives: Art Gallery of Alberta

Wedding DIY: Party Favour Prints

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Finished custom party favour!

For our wedding, I really wanted to make something unique for our party favours, but I didn’t know exactly what that would be at first. It wasn’t until I attended an evening printmaking class at the Art Gallery of Alberta that I became inspired. I had such a blast carving out a big stamp that I decided, then and there, to incorporate that creative technique into the gifts for our guests.

The full array of printmaking supplies.
A set of two lino cutting handles with a variety of knife tips.
A jar of Speedball printmaking ink.
Quality art paper is the foundation of a good print.

One of my friends who attended the drop-in class with me didn’t quite finish her piece that night, so she opted to buy her own tools in order to complete her carving at home. She found everything she needed at Delta Art & Drafting Supplies (11116 120 Street) during a sale, and I followed suit by picking up all of the required materials to put my plan into action. I think, all in, I spent about $130 on a few sheets of easy cut lino, an assorted lino cutter set, rollers, a paint knife, a jar of ink, and a metal leaf adhesive pen (that didn’t get used). I collected some quality art paper that I already had at home, which saved me a bit of money, too.

It took a while, but I was really happy with our design.

The hard part was coming up with a design to represent both me and Kirk as well as what our family and friends mean to us. When I finally put everything together, the rest of the project was a breeze.

It’s good to know how to write backwards!

It took me about a full day to trace and carve the piece out onto the lino. Since you’re creating a stamp, you have to remember that, when it’s printed, it’ll put a mirror image onto the paper. I had to be careful to make sure that the picture would be the right way around, especially with any wording. For designs that are more generic, it’s not much of an issue, but in my case, a map of Canada and all of the hand-carved text needed to be done correctly. Thankfully, I didn’t make any mistakes!

My work station with paper, rollers, and an ink palette.

With aching hands, I proceeded to print about 60 copies of my design the following day. I made sure to fully coat the lino stamp with ink, but avoided applying the paint too thickly. If there’s excess, the ink will bleed into the crevices where you want the lines to show, so it’s better to be a little light-handed with the paint. A dry roller used to apply pressure to the backside of the stamp will get the ink to stick to the paper for that perfect one of a kind transfer.

Hand painting gold hearts with metallic acrylic.

For our favours, the finishing touch was some gold hearts. I mentioned previously that I had purchased an adhesive pen, which I had intended to use to apply rose gold metal leaf to each piece. Unfortunately, I found the nib of the pen to be too wide, preventing me from drawing more refined hearts. The glue also never seemed to get sticky enough and the foil wasn’t defined at all. Ultimately, I tossed that idea aside and I ended up hand painting hearts onto the maps using metallic gold acrylic once the base layer of ink had fully dried.

Hand folded envelopes using scrapbooking paper.

The final prints were about 11″ x 7″ in size. Rather than sealing them up in plain manila, my mom found some 12″ x 12″ scrapbooking paper that we had held onto. She was like some origami queen; she folded these beautiful envelopes and then stuffed every one with a print. We sealed them with some pretty stickers that we found at Dollar Tree and then I hand wrote the guests’ names on them.

Signed and sealed!

It definitely was a wedding party favour that required thought and time, a real labour of love. I’m so glad that I opted to do this because it was something creative for me to work on, but it was also different and heartfelt. Our guests really appreciated the effort we put into it and they knew that what we said in our print was what we truly meant.

DIY isn’t necessarily for everyone who’s getting hitched. Nevertheless, I hope this encourages some of you to give DIY a try. At home projects can make things a bit easier on the wallet and, if you give yourself the time, it can be so gratifying to create things. In fact, I enjoyed this so much that I worked on a side printmaking project for a special letter given to my husband for our first look. It made our wedding day that much more special with those small details.

Edmonton Things To Do: Art Gallery of Alberta Adult Drop-In Studio

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Tons of Ideas by Vera Gartley

Earlier this summer, I was making plans with a friend of mine. Due to scheduling conflicts, it was somewhat difficult to find a time that worked for both of us to get together. Futhermore, I didn’t want to do our typical thing of just going for dinner or doing a Paint Nite event. So, I started to scour the internet for ideas of what else we could do in Edmonton.

Honestly, I don’t even know how I eventually ended up on the Art Gallery of Alberta (AGA) website, but I did. What I found is that they actually offer a weekly Adult Drop-In Studio every Wednesday night. While that particular day of the week didn’t work for her, I was intrigued and I wanted to check out a few of those sessions for myself. I gathered other friends of mine and I made it to three different classes over the span of September.

The first one I went to, I phoned ahead to reserve spaces for me and my friends because I wasn’t sure what kind of attendance to expect (there is a maximum of 20 spaces). You are able to hold spots the day of the drop-in, but you do have to provide payment info at that time. You can phone it in and pick up the tickets at guest services upon arrival at the gallery, or you can walk-in and pay in person.

Tickets are $18 plus tax per person and that includes all of the materials that you’ll be using. The price point is stellar for a two hour activity, especially when compared to the majority of other creative events running throughout the city.

Carving our designs out of lino.
Inking the roller to make our prints.
The table is covered with printmaking materials.
My finished prints from my lino carving.

As it turns out, reservations weren’t really necessary. Only half a dozen people showed up for printmaking the first night. Initially, there didn’t seem to be a whole lot of direction. The website had indicated that we would be doing lino carving with a theme of cityscapes. Yet, it pretty much turned into a freestyle situation in that we weren’t at all limited. Everyone was allowed to design whatever they wanted, and guidance only came into play once we started doing more of the printmaking itself.

In fact, I loved printmaking so much that I made my way to Delta Art & Drafting Supply that weekend in order to pick up all of the materials needed to do the same thing at home (I have a couple of special projects planned). Thankfully, there was a sale going on.

Samantha Walrod’s Vanitas exhibition was inspiration for our Floral Studies session.
One of the finished pieces from Samantha Walrod.
The beginning of the floral clock in Samantha Walrod’s room.

The following week, my colleague and I ventured out into the cold to make it to the AGA for their Floral Studies drop-in. We arrived a little bit late, but, once we paid, we managed to catch the group of about ten people as they were heading up to the galleries. The instructor for the night wanted us to take inspiration from an exhibit called Vanitas by artist Samantha Walrod. She turned the RBC Work Room (a studio-like residence space) from an empty gallery into several pieces of finished art that explored the idea of life and loss using floral imagery and the passing of time. Her work utilizes layering through multiple mediums like collage, ink and paint.

Acrylic paint and chalk pastels formed the basis of our Floral Studies work.
Learning how to apply colour and texture to paper using different techniques.
I love how the blue flowers turned out.
My finished piece…just wish I didn’t get fingerprints everywhere.

I was kind of hoping that we would be doing something similar to what we’d seen. Instead, the focus was more on learning to work with chalk pastels and acrylic paints together. Not quite what I expected. Still, I managed to learn some new ways of applying colour and paint to paper, as well as creating my own colours using pigments from the chalk pastels and mixing it with the acrylics.

Finished Japanese stab bounded books.

The final session that I made it to was about book binding. I failed to take photos during this one, but I do have a picture of the finished products. We were taught how to put our own travel journals together using just paper, a couple of binder clips, a push pin, a needle and some thread. We used a simple Japanese stab process, which is easily searchable on Google or YouTube. After we each completed two books, we took them up to the James Wilson Morris gallery where we practiced our sketching techniques (i.e. shading, blind contour, gesture, etc.).

All of these turned out to be fun in their own unique ways. I’ve got my eye on a silk screening class in early-November, but in the meantime, they have a variety of other drop-ins like plaster casting or slow stitch through October. Additionally, if you show up to the gallery early, you can take advantage of the All Access Evenings. Those happen every Tuesday and Wednesday from 5pm to 8pm and it grants all patrons entrance to the exhibits for free.

The design of the AGA building is always fun to explore.
Manning Hall, accessible as you enter the AGA, always has interesting art. This one is from photographer M.N. Hutchinson.

The Art Gallery of Alberta is definitely making an effort to increase the accessibility and affordability of art and art-related activities. Don’t miss out. Sure, not every workshop is going to call to you, but in the scope of a year, there’s bound to be something that will get your creative juices flowing. Keep an eye on the AGA calendar and carve out some time at this local gem of an institution.

Edmonton Restaurant Review: Zinc

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Dinner begins with our appetizers.

As quickly as it arrived, the Downtown Business Association’s Dining Week (DTDW) disappeared. The dust has settled and here are my thoughts on the second of my three outings (Tzin was the preceding review).

Zinc, attached to the Art Gallery of Alberta (AGA), is a place that I’ve dined at on only a couple of occasions previous to this. I’ve also had the pleasure of enjoying food catered by the restaurant during one or two events held at the AGA. Yet, I had never taken the opportunity to write about my experiences. This time seems as good as any to do that.

On a chilly early evening, my friend and I showed up to our reservation (booked through OpenTable) right on time. It took a few minutes, but one of the servers greeted us and promptly showed us to our table. Architecturally, the venue is beautiful. With tall floor to ceiling windows, a mix of modern décor and glossy washes of deep, bright royal blue, the space feels relaxing and tranquil even on a dreary day.

To keep things moving along, the manager took our drink orders. Both of us opted to stick with water for the night. He also put through our meal selections once we had decided between the choices available to us on the $45 DTDW executive dinner menu.

My plate of fried oysters.
My friend decided to try the cheese stuffed bologna.

For my starter, I elected to try the fried oyster basket – cheese stuffed bologna or turkey pot pie were the other picks – which was presented in a relatively deconstructed and artistic way. The mini fry basket had been tossed on its side with the oysters scattered on the plate. Next to the basket was a skinny shot glass of sauce and closest to me were a few circular lemon slices. When it was set down before me, the server indicated that the accompanying sauce was of roasted red pepper. This was different from the description on the menu where I had read it was to come with a maple cocktail sauce. Honestly, I think the maple may have been a better flavour to go with the brininess of the oysters. That sense of sweetness and salt. The red pepper cocktail sauce was still good, but it was quite acidic and dilly. I could have done with a little less of the herb. On the other hand, basic lemon juice squeezed atop the non-greasy, crisp oysters was a treat on its own.

Braised Beef Cheeks with roasted root vegetables.

Rather than going with the duck cassoulet or the veal bolognaise, my entrée consisted of the braised beef cheeks. The meat, cooked in a red wine demi-glace, and the garlic smashed potatoes weren’t anything spectacular. They were just decent. I had actually expected the beef to be more succulent than it was. No, the absolute stars of the dish were the roasted root vegetables. A pile of sliced carrots and, my best guess is diced parsnips, sang in my mouth. Smoky from the slight charring and a little bit fragrant, I could have easily gone for another helping.

Butternut Squash Cheesecake

The final course was a butternut squash cheesecake. At first consideration, the squash appeared to be an odd component to a dessert, but that’s merely because it’s not the typical pumpkin. The butternut squash is subtly sweet and nutty compared to its relative. Most of the sugariness in this dish came from the white chocolate curls sprinkled over the cake as well as the peach and pear salsa and pieces of fruit that were there as complements. On the other hand, the minuscule grains of Tonka bean really stood out on my palate. Known to be fruity and spicy, these tiny shavings produced a bitterness that didn’t necessarily overwhelm my taste buds; however, the flavour couldn’t be ignored either. This was an enjoyable dessert, simply because every bite provided something surprising.

Zinc’s website is keen to point out that the menu puts a focus on fresh Alberta ingredients and food products with inspiration for seasonal changes being taken from the rotating featured art exhibits. I have no clue as to what is currently being showcased at the gallery. All I know is that the dishes we tried were delicious and, even though the plates weren’t necessarily inventive, it’s an interesting notion – one that I believe to be true – that food and art are really one in the same.

Edmonton Restaurant Review: Wildflower Grill

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Bread to start off our meal.

Bread to start off our meal.

Wildflower Grill (@LaziaWFEast), brought to us by the owners of Lazia and the relatively new EAST, opened as part of the Matrix Hotel several years ago. Since it landed, it has received various accolades and continues to be recognized for their Canadian cuisine. In fact, readers of The Tomato named them the No. 90 best place to eat and drink in the city in 2013 for their braised beef short ribs alone.

In all the years that it has been there, I had heard so many good things and read some excellent reviews, but had never made a point of going. I think the price point may have been one reason that I steered away from it, but as I’ve gotten a little older, I’ve decided that food is literally one of my great loves in life, and I’m okay with the idea of indulging in a sumptuous meal every once in a while.

As such, since my friend and I were spending an evening nearby at the Art Gallery of Alberta to attend the museum’s most recent Road Trip themed Late Night Refinery event, we selected Wildflower Grill as the place to start our festivities.

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The menus

Because I’m a fan of reservations, I made sure to book a table in advance using the OpenTable system, so we were seated promptly when we arrived at the restaurant. Although it was starting to get warmer outside at the end of May, it still wasn’t quite mild enough to sit on the patio, so we opted to stay indoors as did everyone else. The interior of the establishment is quite sleek and modern, using lighter brown woods and shots of yellow, orange and green in the walls and art to make it feel welcoming.

Our server gave us the daily specials soon after we sat down and he was able to answer any questions we had about the food. He was also friendly, joking with us a little, but always remaining professional. When our food was ready, two other staff members brought our plates to us, but as soon as our server walked by he noticed that one was missing and immediately went to see why it hadn’t made it with the rest of the items, so it showed me that he was very attentive, which deserves props.

Three mushroom ravioli.

Three mushroom ravioli.

The menu isn’t extensive, but it still offers plenty of choices, which made it hard for my friend and I to choose what we wanted to go with. All the mains sounded fantastic; however, in the end, we both ordered two small dishes each. Assured by our server that it would be enough, we were happy to go that route as it meant we could sample more items, and we figured that if we were still hungry, we could always get dessert afterwards. Despite that thought, we never had to worry about leaving the restaurant with a half empty stomach because they started us off with an amuse bouche of smoked salmon and grapefruit as well as fresh baked bread that readied us for what lay ahead.

My dining companion ate the Potato Gnocchi and the Sour Cherry & Maple Glazed Duck Confit. The gnocchi was served with a sweet pea puree, triple smoked bacon, serrano ham chips and egg floss. I took a bite of it and the flavours were wonderful. They really popped and the gnocchi was browned and crisped from pan frying, so it had the proper texture. The sweet pea puree and the tomatoes were there to balance out the saltiness of the bacon and ham. Aside from gnocchi, my friend can usually never pass up the opportunity to eat duck and I think that it was appropriate. The meat was tender and paired well with the roast garlic risotto, caramelized brussel sprouts and carrots that it sat upon.

The braised beef short ribs!
Our drinks for the evening.
An amuse bouche to cleanse our palettes.
The duck confit.
The potato gnocchi.

My meal consisted of the Three Mushroom Ravioli and the Braised Beef Shortrib (I couldn’t go there without trying this). The ravioli had a nice, not too thick pasta shell, and was amply stuffed with mushrooms. Placed on a bed of asparagus and drizzled with truffle oil, smoked applewood cheddar fonduta and topped with some shaved piave vecchio cheese (similar to Parmigiano Reggiano), the ravioli was a great example of pasta made from scratch. The beef short ribs were nothing short of spectacular. It was pure meat with very little detectable fat, if any at all, that pretty much melted in your mouth. The port demi glace and white balsamic reduction actually tasted great with bites of the ravioli that I combined with my short ribs.

Needless to say, we left completely satisfied and stuffed from those dishes (no room at all for dessert). I’m happy that The Tomato‘s list pushed me to try another establishment that I just never seemed to get to. Whether I’m back there this year or a few years from now, I am positive that it will be another good experience.

For a more in-depth look at the establishment’s involvement in the community and its efforts towards sustainability visit The Local Good to read my profile of Wildflower Grill.